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This book, 'Fotogeschichten Sülz und Klettenberg. 1855-1985', shows the neighborhoods from the end of 19th century to 1980 and the people who lived and worked here. Images, texts & commentaries make this contribution to Cologne's urban history so valuable

This chronologically arranged monograph on the work of Eugène ATGET shows a photograph and includes the commentary of the editor, John Szarkowski. However, it is less about an exact analysis than about capturing the context and describing the attributes.

Bilingual catalog volume. This slim photo publication about Eugéne ATGET is catalog number 4 of the Cologne-based gallery Rudolf Kicken, which was published on the occasion of the sales exhibition.

by Thomas Seelig & Urs Stahel (eds.) Gebundene Ausgabe mit Schutzumschlag, 25 x 30,5 x 5cm., 400 S., reich bebildert,deutsch-sprachiger Text - here: GERMAN TEXT ONLY!

'Der Westerwald im Spiegel der Zeit' gives an insight into August SANDER's work in his home area in around fifty photographs. Here, motifs from his work 'People of the 20th Century' are combined with photos that he had filed under the name 'Bauernarchiv'

In 'Das Perfekte Bild' (Perfect Picture), Paul Lowe uses famous photographs to explain the most important tricks of the trade and covers every genre In addition, the book offers helpful tips on career planning and self-marketing for aspiring photographers

The out-of-print photo and text volume, 'Berenice Abbott. Eugène Atget' by Clark Worswick describes the American photographer ABBOTT's vision of the French photographer ATGET, who single-handedly changed photographic modernism in the twentieth century.

'Photobooks: Spain 1905-1997' documents and illustrate 30 titles; in his text, Horacio Fernández informs an overview of several hundred other titles. A new chapter in the history of photography written in recent years by the rediscovery of the photobook.

'FOTO.BUCH.KUNST. Umbruch und Neuorientierung in der Buchgestaltung' (Upheaval and Reorientation in Book Design) presents examples of the interaction between books and photography that have since fallen somewhat into oblivion but are well worth looking at

Vol.1 of late 1970s book series 'Photo-Galerie. Die Bibliothek berühmter Photographern' (The Library of Famous Photographers) is dedicated to the work of Jacques-Henri LARTIGUE, whose early sports photographs represent the fascination of an era for speed.

This multilingual, handy photo volume in three languages and a detailed appendix, 'Paris', contains around 500 black & white photographs by Eugène ATGET from the years before 1900 to the 1920s. Their order is based on the Parisian arrondissements.

The out-of-print volume 'Frantisek Drtikol. Photograph des Art Deco' documents the work of the first important Czech photographer in a text consisting of four chapters by DRTIKOL expert Anna Fárova and 181 duotone illustrations; edited by Manfred Heiting.

'Fotografen sehen Köln' contains works by Cologne photographers such as August Sander, Werner Mantz, August Kreyenkamp, Karl Hugo Schmölz, Heinrich Ewertz a.o., which show the historical upheavals and the rapid development of the medium of photography.

HC (no dust jacket, as issued), 16,5 x 28 x 2 cm., 340 pp., b/w ills., bilingual text: German / English

HC, no dust jacket, 25 x 30,5 x 5 cm., 400 pp., text language: English

This book shows Marie GOSLICH photographs as a mirror of their time, documenting the social ills & the destruction of infrastructure in Berlin. With her camera she traces as well hardship, narrowness as decay and drew an unadulterated picture of the city.

English ed., Linen bound HC (no dust jacket, as issued), 296 pp., 23,5 x 25,5 x 3 cm., b/w ills., 1.400 gr., text language: English

Out-of-print book 'Die Welt in Farbe. Autochrome 1913 to 1930' contains 68 color photographs by Käthe Buchler, whose images regarded as significant sources for the use of color photography and everyday war life of German women during the First World War.

Out-of-print book 'A George Grosz Montage. Collages 1917-1958' presents previously unpublished material, portraits by Arnold NEWMAN and Irving PENN and 4 essays (one by Klaus STAECK). The German-language book comes with a 16-page English-language booklet.

'Dutch Photo Publications 1918-1980' is an homage to photographers, artists, writers, designers, printers, paper importers & publishers. Across more than 500 pages, texts and more than 1,000 reproductions, the work and vision of them is explored in detail

Both the selection of 96 b/w images by August SANDER printed in this VEB publication as well as the texts by Alfred Döblin from 1929 and by Dr. Heinz Frotscher in 1982 illustrate how the work of the world famous photographer was received in the former GDR

Pb. (no dust jacket, as issued), 24 x 30 x 2 cm., 200 pp., text language: English

'Kiosk. A History of Photojournalism 1839-1973' by Robert LEBECK & Bodo von Dewitz (ICP Infinity Award 2002) leads you in nine chapters through the eras of international photojournalism and offers an overview of the topics of past decades and centuries.

In his volume 'Abschied mit einem leisen "Klick"' Klaus BOCK comprehensively examines how the Austrian illustrated magazines during the First World War fulfilled the task of stirring up and channeling emotions with photographs: to collectivize them.

In French! 'Voir Paris' is conceived as a poetic, visual stroll that, based on photos by Eugène ATGET (with the edges left unchanged), leads through courtyards and rooms, alleys, cafes, urban gardens and along the banks of the Seine.

Gebundene Ausgabe mit Schutzumschlag, 28,5 x 31 x 3,5 cm., 320 S., S/W-Abb., deutsch-sprachiger Text - GERMAN TEXT ONLY!