Urbanity

Out-of-print volume 'As Dark As Light' contains a set of 16 nocturnal photographs made by Axel HÜTTE in various cities around the world. Aside from the underlying theme of night photography, the works are united by the strict geometry of the compositions.

The US report in out-of-print book 'Heartland' by Thomas HOEPKER is a prime example of committed photojournalism personally interpreted, of photography as reportage at the highest level of formal aestheticism. Photo history and at the same time up to date

Bilingual catalog volume. This slim photo publication about Eugéne ATGET is catalog number 4 of the Cologne-based gallery Rudolf Kicken, which was published on the occasion of the sales exhibition.

The powerful black-and-white images in out-of-print photographic volume 'London 1958-59' by Chilean Magnum photographer Sergio LARRAÍN present a vivid portrait of a coal-fired, smoke-filled London long gone.

Out-of-print volume 'Berlin 1978-1987' by Boris BECKER shows early works of the photographer of the Düsseldorf Photo School, taken on 35mm and medium format. In the course of history and the change of our perception, these have gained in importance.

'Du mich auch' by Anders PETERSEN contains images, taken in Hamburg & Stockholm in the 60s - surrounded by bar girls, petty thieves, dock workers, Bob Dylan copies, street vendors from the fish market, legless war heroes, they lived & worked on St.Pauli.

Pb. with obi belt (no dust jacket, as issued), 18 x 26 x 3,5 cm., 365 pp., 410 ills. (365 b/w ills., 45 ills. in color), text language: Japanese

HC (no dust jacket, as issued), 23 x 25 x 1,5 cm., 128 pp., 122 color ills., text language: ? Ltd. to only 600 copies

In 2015, World Press Award winner Peter BIALOBRZESKI returned to his hometown Wolfsburg to document the changes that the city has undergone since he left many years ago. 'Wolfsburg Diary' is part of the ongoing international 'Diary' photo book series.

The out-of-print photographic book 'From Craft to Art' contains some 100 original prints by Robert DOISNEAU, as well as a new version of anessay, which explores the ability to capture 'the luminous melancholy that separates the individual from the mass'.