Theory

HC with dust jacket, 23 x 27,5 x 2,5 cm. (11 x 9 inch.), 168 pp., highly b/w illustrated, 1080 gr., English

In his volume 'Abschied mit einem leisen "Klick"' Klaus BOCK comprehensively examines how the Austrian illustrated magazines during the First World War fulfilled the task of stirring up and channeling emotions with photographs: to collectivize them.

In 'Fotografie und Gesellschaft' (Photography & Society) Thomas Eberle analyses image interpretation, the photographic act, and the engagement with photos. With contributions on photo practice, the transition to digital photography, and uses in the media.

HC, 23,5 x 27,5 cm., 144 pp., highly illustrated, bilingual texts: English / Dutch

HC (no dusrt jacket, as issued), 14 x 19,5 x 4 cm., 544 pp., richly b/w illustrated, text language: English

'John Heartfield. Buchgestaltung und Fotomontage' - Book Design & Photomontage - documents a collection of his work, which allows to gain an overview of his work as a graphic designer. All titles are arranged both chronologically and alphabetically.

In 1925, the first fully automatic photo studio was installed in New York, which appealed also to artists. 'Photobooth' records an (incomplete) inventory of artistic variations and combines works of art & self-portraits from the beginning to the present.

Gebundene Ausgabe ohne Schutzumschlag (wie erschienen), 17 x 24 x 3 cm., 420 S., 38 Farb- & 245 S/W-Abb., deutsch-sprachiger Text - GERMAN TEXT ONLY!

Out-of-print volume 'Karl Blossfeldt. 1865-1932', edited by Hans Christian Adam, contains all the plates of his 3 books from 1928, 1932 & 1942 as well as 30 unpublished images. His visual discoveries take us into a fairyland of Art Deco patterns & shapes.

'Texte zum Werk' (writings on Thomas Struth), brings together selected essays on the work of Thomas STRUTH. Twenty contributions invite to think and philosophize about the work of the prominent German photographer of the Düsseldorf School of Photography.