Portrait

'Too Much But Not Enough' is an avant-garde fashion project by Yang LI & Antoine D'AGATA, consisting of 23 LP album covers & booklets, Intimate texts touch on themes of self-knowledge & beauty, love & disillusion, personal freedom & social constraint.

The out-of-print photo book 'Die Poesie der Form' (The Poetry of Form) contains around 75 b/w images by Imogen CUNNINGHAM, neither strictly chronologically nor thematically organized: Bodies, plants, still lifes and portraits, including with August SANDER

- Nominated for the Photobook Award Kassel 2014 Best Book of the Year!

'125th Street. Photography In Harlem' reflects the history of New York's Harlem neighborhood, marked by consumerism, gentrification, glamour as well as political revolt. With images by Berenice ABBOTT, Dawoud BEY, Katsu NAITO, Gordon PARKS, Jamel SHABAZZ.

The new edition, its 'director's cut', of the out-of-print photo book 'Ray's a Laugh' by Richard BILLINGHAM recreates the original vision of his deeply personal work with numerous previously unpublished images and a particular approach to sequencing.

The out-of-print photographic volume 'A Letter from Japan.' with its black-and-white photographs by U.S. wartime photographer John SWOPE, include shots taken mostly in war-torn Japan in 1945, contrasting with his work as a Hollywood photographer.

In 'Das Perfekte Bild' (Perfect Picture), Paul Lowe uses famous photographs to explain the most important tricks of the trade and covers every genre In addition, the book offers helpful tips on career planning and self-marketing for aspiring photographers

Broschierte Ausgabe, 17 x 23 x 3 cm., 416 S., S/W und Farb-Abb., deutsch-sprachiger Text - GERMAN TEXT ONLY!

This out-of-print cataloue contains a juxtaposition consisting of five portraits by British photographer Julia Margaret CAMERON, followed by twenty-eight photographs by Miroslav TICHY. With the essay 'Long Moments' by Tessa Praun in English and Swedish.

The photo volume 'Polaroid 54/59/79' by Dana LIXENBERG is a remarkable collection. It reflects American celebrity culture with encounters from the 1990s and 2000s. The title refers to the types of peelable instant film she used between 1993 and 2010.