Photo journalism

The powerful black-and-white images in out-of-print photographic volume 'London 1958-59' by Chilean Magnum photographer Sergio LARRAÍN present a vivid portrait of a coal-fired, smoke-filled London long gone.

by Fred Ritchie and Carole Naggar (eds), HC (no dust jacket, as issued), 21,5 x 29 x 3 cm., 272 pp., 1,600 ills., text language: English

In out-of-print volume 'This is War' Moises SAMAN shows what war really means: pain, destruction, darkness. The images are far from that reality that today's media present in the form of hypertechnical video games, as shiny and manipulated TV productions.

German-language anniversary edition of the classic photo book. Walker EVANS put together 'American Photographs' himself. It became a sober, yet highly aesthetic description of the United States in the 1930s that influenced generations of photographers.

Linen bound HC (no dust jacket, as issued), 22 x 28,5 x 2,5 cm., 192 pp., 90 color ills. + 72 b/w ills., text language: English

HC (flexicover), 24 x 33 cm., 548 pp., 283 color & 186 b/w ills., text language: English

The out-of-print catalog 'Mirror Mirror. Portugal as seen by Magnum photographers' was published on the occasion of the 2004 exhibition in Lisbon. A look at Portugal from the 1950s to the present through the eyes of thirteen leading Magnum photographers.

The b/w illustrated book 'Soviet Union. Henri Cartier-Bresson's photographic notes' contains scenes from everyday life and the world of work in factories, shops & offices in Leningrad, Moscow, USSR, Estonia, Caucasus & Central Asia - geographically sorted

Out-of-print 'Moments in History' focuses on those works Margaret BOURKE-WHITE made in the 1930s and 40s in Czechia, Germany, Italy, the Soviet Union as well as in the UK. It shows photographs and excerpts from letters as well as publications in magazines

This so far only monograph on Sid GROSSMAN, a comprehensive survey of his life and work, includes early social documentary work (1930s), more personal and dynamic street photography (1940s), and late experiments with abstraction in b/w and in color.