Personal topic

HC (no dust jacket, as issued), 18 x 25 cm., 360 pp., highly color illustrated, text: English

Swiss bound, handmacde HC (no dust jacket, as issued), 64 pp., approx. 40 b/w ills., text language: English, Ltd. to 25 copies

'After' by Martin KOLLAR was created after the death of his partner. It is a careful sifting through his archive - a crystallization of contexts and themes that he had not seen before. The aim of the book is to show how the before merges into the after.

The war-relics presented here offer an immersive narrative on the theme of social memory. The book shows D-Day artifacts, WWII spy-craft and old Hollywood movies, dioramas and drone-mounted cameras, private post-war memoirs & wistful seaside photographs.

For her photo volume 'Letters I didn't sent', Swedish photographer Jenny ROVA documented all the personal letters and e-mails that she I wrote and saved but never dared to send. The letters are from a period of fourteen years.

The photo book 'La peau du prénom' (The skin of the first name) by Lyoz BANDIE is the story of the obsessive hunt for a new first name. An intimate and sensitive story, a coming out, a dive between genders that invites to question this social construction

This artist volume, 'Scratchy Days' by Ukrainian Bogdan GULYAY, contains artistic black and white shots from his personal environment, reflected everyday moments in a world he perceives as oversaturated, in which people are only fleeting, fragile shadows.

The book 'Praxis' by Antoine D'AGATA forms a labyrinth in which temporalities and techniques are stitched together. The excess of gestures, visual saturation as well as austerity serves to capture the complexity of exponential violence in Mexican society.

In her artists' photo volume 'Delta', Swedish photographer Hannah MODIGH turns the camera to her personal life in her quest to explore existential question regarding the cycles of life. Numbered and signed copy with one C- print.

In 'Black Passport' Stanley GREENE attempts to come to terms with the impact his volatile work in the world's crisis zones has had on his life. By combining cruel photographs with authentic statements, an impressive portrait of the photographer is created