New york

The photographs in out-of-print, large-formated 'New York Arbor' by Mitch EPSTEIN document the importance of trees to urban life in NYC, as well as their complex relationship with the residents. The superb printing makes viewing a breathtaking experience.

The color images in out-of-print volume, 'Red Eye to New York' by American photographer Janet DELANEY, brim with joie de vivre and reveal a precious blend of private life in public and the fleeting moments of connection between photographer and subject.

English ed., Linen bound HC (no dust jacket, as issued), 296 pp., 23,5 x 25,5 x 3 cm., b/w ills., 1.400 gr., text language: English

New York City parks Washington Heights and Inwood serve as a backdrop for a narrative that takes place between day and night in the narrative of the monochrome book 'Dyckman Haze' by Adam PAPE. A constant exchange between people, animals and the landscape

The book 'Hommage' for the retrospective on the work of Inge MORATH shows the whole spectrum and the - perhaps feminine? - subtlety of her work. An autobiographical speech she gave in Berlin is the main text of the German-English accompanying publication.

5 x HC, 38 x 42 x 16,5 cm. in a five volume set: Vol.1 / Circus: 104 pp., 82 tritone ills.; Vol.2 / Brooklyn Gang: 120 pp., 95 tritone ills.; Vol.3 / Time of Change: 168 pp., 144 tritone ills.; Vol.4 / East 100th Street: 168 pp., 149 tritone ills.; Vol.5

This monograph provides an excellent view of the work of the US-American photographer Berenice ABBOTT, who not only made Eugène ATGET's work about Paris world-famous, but also pursued her own project about changing New York and did science photography.

This 5 volume project that present hundreds of outstanding ABBOTT images for the first time. These previously unknown images further clarified the range of her photographic activity beyond her 'Paris Portraits', 'Changing New York' & 'Documenting Science'

The accompanying catalog of the retrospective of the work by Saul LEITER features his early black-and-white as well as color photographs and, for the first time, his fashion photography, also the overpainted nudes, his paintings as well as his sketchbooks