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The narrow catalog for the exhibition 'foto-auge' in the Hamburg Deichtorhallen (2002-2003), which has been out of print for a long time, contains a five-page introduction to art history and personal biographical data as well as 28 b / w illustrations.

Gebundene Ausgabe ohne Schutzumschlag (wie erschienen), 17 x 24 x 2,5 cm., 300 S., 20 Farb- u. 200 SW-Abb., deutsch-sprachiger Text - GERMAN TEXT ONLY!

English or German. Based on Helmar LERSKI's series 'Metamorphosis', this compendium, 'Faces. The power of the face', brings togehter portraits from the time of the Weimar Republic. Experiments, feminist role-playing games and political ideologies collide.

In the 1930s, Werner MANTZ was commissioned to produce an extensive photographic documentation. In the photo book 'On Coal Mining in Limburg' this work is presented as an important historical document of a glorious era in the style of New Objectivity.

The 1929 self-published publication '50 Years Leonhard Tietz 1879/1929' contains an illustrated description of the company history. At the end of the volume, Werner MANTZ is explicitly named as the author of the artistic black and white recordings.

The original edition of '60 Fotos', designed by Jan TSCHICHOLD. Vol #1 of the 'Fototek' series, the first and only photo book by Aenne BIERMANN, contains Franz ROH's important essay 'The literary controversy about photography' in English, French & German.

German-Dutch photographer Germaine KRULL is one of the discoverers of modernity. For a long time, her works were hardly accessible because they were scattered in individual archives. The out-of-print catalog with over 150 vintage prints closes this gap.

Gebundene Ausgabe ohne Schutzumschlag (wie erschienen), 18 x 24,5 x 2,5 cm., 224 S., S/W-Abb., deutsch-sprachiger Text - GERMAN TEXT ONLY!

The catalog, edited by art historian Cécile Bargues traces how HAUSMANN comprehensively reflected photography in this intensive decade and developed a highly individual practice, both documentarily and lyrically, inextricably linked to his thinking & life

'Architekturphotographie in Köln. 1926-1932' to the same named exhibition at Museum Ludwig, Cologne, contains b/w photographs by the photographer Werner MANTZ showing Cologne buildings from the 1920s and 30s - photographed in the style of New Objectivity.