Leporello

The leporello volume 'One Day Every Day' by Zuzana PUSTAIOVÁ is an ironic commentary on social norms. It shows the deeper layers of institutional restrictions, which are thought up by politics and passed on to the public by the media and social networks.

The leporello photo book 'Prosopagnosia' by Joan FONTCUBERTA & Pilar Rosado shows portraits from the 1930s, which serve as the basis of the project. On the back are images produced with artificial intelligence - as a wonderful sequence of failed attempts.

Eiji OHASHI's long-awaited photo book from his 'Roadside Lights' series of vending machines in winter landscapes. The volume published here as Leporello is a continuation of the highly acclaimed photo series of vending machines along the streets of Japan.

Leporello, 11 x 14,5 cm., 29 ills., Ltd. to 70 regular editions, 30 editions with a small print, 5 expl. with a bigger print

'I Wish I Never Saw the Sunshine' by Pacifico SILANO works with printed ephemera of gay culture. He comments on loss, longing and melancholy. The leporello consists of sequences that can be read as a coherent collage or as a sequence of individual images.

After graduating from ICP, photographer Ni LIANG turned to the familiar and overlooked. He put aside his large format camera, picked up his iPhone 4, and focused on documenting his hometown lake, Lake Tai. 'Memory of the Lake' comes in accordion format.

With works by international photographers Michele TAGLIAFERRI, Lieko SHIGA, Bernardita MORELLO, Gregory HALPERN, Marten LANGE, Miren PASTOR, Ricardo CASES, Go ITAMI

The out-of-print accordion-format photo book 'Petros Village' by Guy TILLIM is about the rural life of the villagers of a small village in the East African Republic of Malawi. About one-third of the double-page photographs show portraits of its residents.