Greece

'Les Chants de L'Asphodele' by Mathias BENGUIGUI draws from history to approach the migration crisis on Lesbos: in 1922 Orthodox Greeks came to the island fleeing Atatürk's Turkey. A space opens up in which landscapes and portraits dialogue with texts.

'Athens Diary', the second photo book in Peter BIALOBRZESKI's ongoing 'City Diary' book project with city portraits. Here he travels to the scene of the biggest European crisis in decades to document the consequences on one of the urban centers of Greece.

The out-of-print volume 'Standpunkt' shows the life & work of Werner BISCHOF from a new perspective: with his own words as well as previously unpublished photos, drawings, letters & diary entries, he tells of his life story, photographic credo and travels

The photo volume 'Odysseia' by Antoine D'AGATA deals with the undignified migration practices of European governments. It contains depressing photos and images from videos, as well as statistical data and texts by Bruno Le Dantec and Rafael Garido.

Deutsche Ausgabe, broschiertes Exemplar ohne Schutzumschlag (wie erschcenen), 21,5 x 27 x 2,5 cm., 256 S., S/W & Farbbabb., deutsch-sprachiger Text - HERE GERMAN TEXT ONLY!

This limited photo volume, 'Island Hoping' by Christina DIMITRIADIS, contains images of Greek islands and groups - taken while thousands of asylum seekers were crossing the Mediterranean Sea. The book asks whether the islands represent goals or obstacles.

The photo volume 'Romareisen' by Joakim ESKILDSEN is the result of a long-term project and a very personal document of Roma encounters in seven countries. Together with the music CD as a supplement, it gives a deep insight into their everyday life & life.

Pb. (no dust jacket, as issued), 14,5 x 23 x 1,5 cm., 144 pp., color photography, text language: English

SC, 16,5 x 21,5 cm., 56 pp., Ltd. ed. of 600 copies

The volume 'Walter Hege and Herbert List. Griechische Tempelarchitektur in photographischer Inszenierung' by Matthias Harder examines two basic photographic convictions on the basis of images from the 1920s and 1930s: contextual accuracy versus alienation