Documentary photography

In out-of-print photo volume 'Matriarchs', Austrian photographer Maria HAAS focuses on the investigation of cultures in which women have a special status. She opens these cultures to the viewer and captures their beauty and vitality in sensitive portraits

HC with dust jacket & obi, 26,5 x 26,5 x 3 cm., 324 pp., b/w ills., bilingual texts: Japanese / English

'Living Apart' by Magnum member Ian BERRY includes work from the 1960s for Drum magazine as well as key moments from the 1990s during the collapse of apartheid: the rise of Mandela, reconciliation, & the alarming escalation of urban problems and violence.

Linen bound HC (no dust jacket, as issued), 16 × 22 cm., 224 p., more than 140 color ills., English

In her out-of-print volume 'LAND', Dutch photographer Laura van SEVEREN expands the concept of landscape photography to include abstraction; In addition, their work includes an industrial-economic-critical aspect. This makes the work a relevant photo book

Out-of-print 'Dauerparker' by Christoph ENGEL encourages reflection on the aesthetics of transience as well as the transience of the aesthetics of the car. The photographs unite the opposites of light & shadow, permanence & transience, technology & nature

The photographs in the book 'Hey! Hattori' by Yasushi MORI illustrate the love spun together by the Japanese photographer and his pet cat Hattori-kun, who fled Futaba, a town in Fukushima when the Great East Japan Earthquake devastated the region in 2011.

In the photo book 'China Dream', which bears the name of a patriotic calendar, we take part in the study by exiled Chinese photographer Teresa ENG about the contrast between cultural knowledge about China and the reality of a country in constant change.

This chronologically arranged monograph on the work of Eugène ATGET shows a photograph and includes the commentary of the editor, John Szarkowski. However, it is less about an exact analysis than about capturing the context and describing the attributes.

In 'Sea Stories', the photos by Robert ADAMS describe the cycles of nature with a new naturalism. It contents a sequence of three visual narratives: among alder and maple trees, along the beachand back through meadows and what remains of the inland forest