Asian photographer

By focusing on the residents of the building complex in the out-of-print photo volume 'Lower Ngau Tau Kok Estate', the color images by John CHOY convey an unusually comprehensive impression of individual people and their relationships with one another.

HC (no dust jacket, as issued), 22 x 26,5 x 2,5 cm., 264 pp., 266 b/w ills., 1.250 gr., bilingual texts: English / Japanese - Ltd. to only 500 copies

Gebundene Ausgabe mit Schutzumschlag, 23 x 27,5 cm., 288 S., 318 Farb-Abb., deutsch-sprachiger Text - GERMAN TEXT ONLY!

'Daido Moriyama: A Retrospective' reveals an ever-evolving career: his early editorial work in the mid-1960s; radical experiments of the late 1960s and 1970s; the self-reflexive photographs of the 1980s and 1990s; and his ongoing exploration of cities.

Slipcased HC (no dust jacket, as issued), 35 x 29 x 3 cm., 120 pp., 60 b/w & 13 color ills., index, text language: English

Hand sewn pb., 21,5 x 28 x 0,5 cm., 32 pp. (double gatefold page incl.), 62 b/w ills., text language: English, Ltd. to 750 copies (three covers, 250 each)

In her volume 'Moving Away' Miyako ISHIUCHI herself becomes the subject of her photography. In the time between her decision to move out of the house where she had lived for a long time and her move, she took photos of landscapes, street and detail shots.

In his out-of-print book of photographs, Chinese photographer Wang QINGSONG pokes fun at consumerism, materialism and commercialism and their growing importance by combining symbols that originated in the East with those of the Western market.

HC (without dust jacket, as issued), linen, 23 x 26,5 cm., 96 pp., 90 b/w ills., appendix, Japanese / English, Ltd. to 600 copies

'We Have No Place to Be: 1980-1982' (Liverpool, London, Nuremberg, West Berlin, New York and Tokyo) - here in a newly edited and expanded edition - by Joji HASHIGUCHI remains widely regarded as one of his seminal early works alongside his debut 'Shisen'.