Pb. (no dust jacket as issued), 20 x 25 cm., 80 pp + 2 mini books with 12 pp. each, approx. 70 color & b/w ills., bilingual text: English/Japanese
38,00 € *
Self published out-of-print photographic volume 'Distance. 1991-1995' by Koji ONAKA is about an unspecified city and in its industries. The black-and-white images show railroad infrastructure and roads, as well as a worn port. Signed & numbered (178/300).
248,00 € * Weight 0.2 kg
The book 'Unimachi 1997' by Koji ONAKA was created in 2012 under the impression of the devastating tsunami in Japan. The b/w photographs show the urban everyday life of the region at the end of the 1990s. The series was later published again as a volume.
58,00 € Weight 0.2 kg
Cloth bound HC (no dust jacket, as issued), 23 x 30 cm., 168 pp., bilingual texts: German / English
0,00 € *
For 'Tree, Stone, Water', Gerry JOHANSSON captured the environment surrounding the Japanese, not the people. He took photographed rocks & mountain streams of the Nametoko Valley, deep inside forests teeming with the energy of life and the Seto inland Sea.
78,00 € * Weight 0.2 kg
'Exteriors: Annie Ernaux and Photography' accompanies an exhibition project by Lou Stoppard, which combines texts by the Nobel Prize winner with images by Harry CALLAHAN, Claude DITYVON, Daidō MORIYAMA, Issei SUDA, Henry WESSEL, Bernard Pierre WOLFF a.o.
38,00 € * Weight 0.6 kg
A figure of the younger Japanese photo scene, Yoshinori MIZUTANI, he examines the urbanity of his city Tokyo, documenting scenes bordering on the fantastic. His birds in 'Des Oiseaux' give the city back its secret.
from 42,00 € Weight 0.7 kg
Out-of-print 'Werner Bischof. Pictures' presents the work, which is in the area of tension between art and reportage and was created in a short time because of the early death of the photographer. It also contains the color photographs he took in the USA.
58,00 € Weight 2.6 kg
This small photo book with 'new' quotations - built on the foundation of Mao’s 'Little Red Book' - resulted from a first trip to China in 2012. DE MIDDEL reacted with her camera to whatever caught her attention, without any attempt to explain or analyze.
0,00 € *