'Public Matters' by documentary photographer Janet DELANEY gathers images from sunny Reagan-era San Francisco, capturing the spirit of protests & parades, and people shaken by the turn to conservative government as their 1960s demands now came to a halt.
48,00 € *
Hardbound HC (no dust jacket, as issued), 26,5 x 31 x 3,5 cm., 384 pp., 396 b/w ills., text language: English
45,00 € *
Michael KENNA published 'The Rouge', a book on the Ford Rouge complex, back in 1995. The images on the same subject - the industrial complex built in Michigan in the early 20th century - published in 2016 are masterfully reproduced and superbly printed.
49,95 € * Weight 1 kg
This black-and-white photo volume, 'Beautiful America. 1968-1980', by American photographer Jerry BERNDT documents an important, troubled transitional period in America's recent history and illuminates the literal and ironic aspects of its 'beauty'.
38,00 € *
The out-of-print volume 'Retrospective' on Douglas BUSCH includes works ranging from street photography, architecture and landscape photography to color photographs that leave the field of photography. With texts in German, translated to English.
48,00 € * Weight 1.7 kg
The photo volume 'Rowing a Tetrapod' by Japanese photographer Fumi ISHINO follows an aleatoric structure and is about the distinction between the local & the foreign and how it blurs. The book creates an imaginary space that is prone to misinterpretation.
35,00 € *
The accordion volume 'New York 1989-93', is the first in a series of twelve volumes that are intended to make the person Antoine D'AGATA, a hypothetical double, tangible. Two coupled existences, where one cannot exist without the virtuality of the other.
from 38,00 € Weight 0.3 kg
In 1963, Ed RUSCHA photographed filling stations from Oklahoma to LA. He published them in 'Twentysix Gasoline Stations'. He took 60 photographs which he edited to 26. 7 unpublished images from New Mexico are reproduced here, from the original negatives.
98,00 € * Weight 0.7 kg
This photo book, 'From Black and White to Color', contains some exceptional, as yet unpublished photographs and shows the development, breaks and above all the radicalism of William EGGLESTON when he started taking photographs in color in the late 1960s.
0,00 €