90s

The limited edition publication 'Rwanda 2004. Traces of a Genocide' shows older photographic works by Pieter HUGO. The book also includes an essay by investigative journalist Linda Melvern, in which she explains the situation in Rwanda in detail.

In his monograph on Ulrich WÜST, 'The Presence of Something Past,' Gary Van Zante contextualizes the work to American & German urban and landscape photography. With over 200 images, including for the first time some of his leporellos from the title series

Presenting work from the earliest to contemporary photographers, out-of-print 'Making It Up: Photographic Fictions' puts paid to the fallacy that ‘the camera never lies’. These photographic fictions find new relevance in our so-called ‘post-truth’ age.

HC with dust jacket, 18,5 x 24 x 21,5 cm. (9,5 x 7 in.), 136 pp., 85 color & duotone b/w ills., text language: English

'Metrópolis' by Adriana LESTIDO gathers b/w shots of Buenos Aires from 1988 to 1999, documenting the city's sprawl (Constitución, La Boca, Villa Lugano, Pompella) and a now unrecognizable Puerto Madero. Evocatively somber images of a bygone Buenos Aires.

In 'Francesco Petrarca. Die Besteigung des Mont Ventoux', eight color images by Constantin BEYER illustrate the text in which Petrarch as one of the first who did the ascent of the highest and most impressive mountain in Provence, described it in a letter

The out-of-print volume 'The House Project' by Roger BALLEN looks back at his career through the house as a metaphor for the mind. The House project is a unique collaboration between the photographer, writer Didi Bozzini and book designer Damien POULAIN.

This First edition of photo volume 'Fabrikhallen' by Bernd & Hilla BECHER contains b/w photographs from the 1960s to 1990s. All factory halls were recorded in Germany, each recording is provided with the location and the date of the recording time.

In out-of-print 'East Broadway Breakdown', the photos taken in 1994/95 in downtown New York remain like paintings in the limbo between abstraction and concrete representation. In this way, Christopher WOOL conveys an alternative idea of what a picture is.

This out-of-print catalog includes works by Ed RUSCHA from the 1960s to the early 2000s. Essays place painting, language use, and his photography in an art historical context and draw parallels to U.S. painters and the history of documentary photography.