90s

In 'Workshop. S/W-Fotografie nach dem Zonensystem', Andreas WEIDNER, a representative of fine art photography in the tradition of f/64 group around Ansel ADAMS, Edward WESTON & Imogen CUNNINGHAM, shows its consistent application with large format camera.

In this out-of-print photo book 'Lines, Marks, and Drawings. Lines, Marks and Drawings. Through the Lens of Roger Ballen', this volume examines his work from a new perspective, from distinctive portraits and complex photographic tableaux to YouTube films.

'In Color' by Bruce DAVIDSON presents his personal selection from his lesser-known color archive. These images date back 56 years and represent the photographer's color career from various fields such as magazines & commercial projects as well as fashion.

Gebundene Ausgabe mit Schutzumschlag, 29 x 26,5 cm., 255 S., S/W- und Farbaufnahmen, deutsch-sprachiger Text - GERMAN TEXT ONLY!

After projects drawing from archives, Arwed MESSMER turns for 'Clearing the Dephts' to his own archive, which contains many problematic aspects of German history. Previously unpublished images are re-edited and series are set in relation to each other.

The out-of-print photographic volume 'Japan' by prominent British photographer Michael KENNA is the result of intensive travels to Japan. Printed in Triton, the volume has a red cloth cover and is also surrounded by a Japanese folding slipcase.

The first overview volume on the work of Samuel FOSSO. From self-portraits from the 1970s to his most recent series 'Tati' & 'African Spirits', this photo book shows his departure from the West African studio photography of a Seydou KEITA or Malick SIDIBÉ

'Directions for Leaving' on the work of Jeffrey SILVERTHORNE 1971-2006 pointedly asks existential life questions about identity, gender, love, violence, sexuality and death. The transsexual becomes the ultimate symbol, seeking ways to show his inner self.

The photographic volume 'Pasaco, 1996' by Luis CORZO contains archival material & new images of places, objects as well as people involved in his kidnapping. With that, he addresses violence, corruption, the death penalty and criminal rehabilitation.

'I love you stupid' illustrates the fast life of young deceased artist Dash SNOW and his importance for the New York scene. The abundance of material as well as the 'appearances' of many people of the scene make this volume a document of US youth culture.