60s

The out-of-print catalog for huge Michael SCHMIDT retrospective, took place in Berlin, includes well-known and rarely seen works as well as the very informative texts by renowned authors can already be considered a reference work about Berlin photographer

This out-of-print cataloue contains a juxtaposition consisting of five portraits by British photographer Julia Margaret CAMERON, followed by twenty-eight photographs by Miroslav TICHY. With the essay 'Long Moments' by Tessa Praun in English and Swedish.

The text and photo volume 'Photomontage or Fake News. From Heartfield to Twitter' examines whether the re-location of the classic montage process in the age of social media have anything to do with utopias that have been lost and need to be reactivated?

US-American photographer Irving PENN selected for this photo volume, 'Passage. A work record', those photographs that speak most strongly to his work spanning over half a century. It also includes photographs of the people of Benin commissioned by Vogue.

'Annelise Kretschmer. Fotografin' was published to accompany the exhibition at Folkwang Museum. In addition to the photos, it contains an interview, an artist chronology, an annotated catalog of the exhibited works, a selected biography & a bibliography.

'Charlotte March. Photographer' reveals an early work, which ties in with Humanist photography. Her sensitive view of people on the fringes of society and her narrative imagery show her emancipatory attitude at the time of the social upheaval in the 1960s

The book 'The Photographic Work' is the definitive monograph on the work of F.C. GUNDLACH, one of the most important German fashion photographers of the post-war period. A life's work between document and invention, service and artistic claim is viewed.

The photo book set 'Chromes' by William EGGLESTON is the result of the processing of more than 5,000 photographs from which John Szarkowski once compiled & published the acclaimed photo book 'William Egglestons Guide', while others remained unpublished.

In 'Diary' Boris MIKHAILOV tells about his life: Historical, but above all private memories in notes, colorings, crossings out, scratches, stains & photo fixing adhesive strips. A poignant chronicle, often ruthless and cynical, carried by the love of life