30s

The out-of-print book 'Becoming Disfarmer' covers the history of the portrait work by Mike DISFARMER and its transformation into art. The monograph includes a selection of enlargements of his negatives from the 1970s, through which his work became known.

The b/w photographs in 'Fotografien 1934-1960' are more closely related to caricature than to reportage. Lisette MODEL has created icons of photography that have influenced generations of this profession, like Larry FINK, Diane ARBUS as well as Nan GOLDIN

Broschierte Ausgabe ohne Schutzumschlag (wie erschienen), 24,5 x 31 x 2 cm., 224 S., S/W-Abb., deutsch-sprachiger Text - TEXT ONLY IN GERMAN!

This monograph traces the career of Walker EVANS on the basis of more than 300 images - from the first photos from the late 1920s to the Polaroids of the 70s. It also shows documents from his own collection, which give the reader a more thorough insight.

'Annelise Kretschmer. Photographien 1922-1975' shows her special sensorium for the depiction of men & women. Her portraits of children were distinguished from other examples of this genre in the history of German photography by a great deal of sensitivity

Softcover, square catalog volume, published on the occasion of the exhibition 'Wols Photograph 31/1-11/3 1979' at Museum Ludwig, Cologne. The German-language catalog text is by Lazlo Glozer.

The out-of-print catalog illuminates more than 60 years of French photographer Willy RONIS' long career and covers all thematic aspects of his work. Shown is a sharp & sensitive observer of everyday French life, a great humanist & chronicler of a century.

With photo works by Walker EVANS, Theodor JUNG, Dorothea LANGE, Carl MYDANS, Russell LEE, Ben SHAHN, Jack DELANO, Marion Post WOLCOTT, John VACHON, Gordon PARKS and many more

Actual printrun, HC with dust jacket, 25 x 29 x 3,5 cm., 320 pp., richly color illustrated, text language: English

'Ludwig Wittgenstein. Photography as Analytical Practice' contains his album, photographs of automata, and other self-portraits. In addition, the book places his photographs in a dialogue with the photographic practice and theory of contemporary artists.