30s

The photo book 'Cinemas' brings together for the first time a film of cinemas that were newly created by Hugo SCHMÖLZ and his son Karl Hugo SCHMÖLZ between 1935 and 1957, especially in the Rhineland and the Ruhr area.

'Der Westerwald im Spiegel der Zeit' gives an insight into August SANDER's work in his home area in around fifty photographs. Here, motifs from his work 'People of the 20th Century' are combined with photos that he had filed under the name 'Bauernarchiv'

In addition to works selected by Eva BESNYÖ herself, the out-of-print volume contains previously never shown works with motifs from Budapest, Berlin, Brussels, Paris, Rotterdam, Amsterdam and Milan with attention to light, shadow, cropping and line play.

This monograph makes the best of Lee MILLER's work accessible, including surrealist compositions & travel photos. At the end of the Second World War she was a war correspondent in Europe and documented the liberated Dachau & Buchenwald concentration camps

This out-of-print new edition of the 1965 monograph 'The Flame of Recognition' about American photographer Edward WESTON contains a cross-section of his work, with portraits and nature photographs as well as texts from his diaries and letters.

Juliet Hacking expertly portrays 38 of the most important personalities in the history of photography. By working out backgrounds and contexts, the portraits add to an entertaining overview of the great innovations, trends and developments in photography.

At the 1937 World's Fair in Paris, Cologne was the only city in the world to be represented with its own pavilion at the Seine river, captured by Karl Hugo SCHMÖLZ. The photo book 'Cologne and the Seine' tells a forgotten episode of Franco-German history.

This volume, 'Gerda Taro. The Inventing des Robert Capa' by Jane Rogoyska, traces the life of Gerda TARO and reveals the depth of her relationship with Robert CAPA. Charismatic & very special they embodied one of the most turbulent periods of the century.

In her German-language volume 'Das Leiden anderer betrachten,' Susan Sontag recapitulates the historical development of war photography from Spanish Civil War to Afghanistan, and asks: what does the sight of a suffering human being trigger in the viewer?

This second print run of the catalog volume on the work of reportage photographer Martin MUNKACSI, who shaped the beginnings of modern photojournalism, shows works from all phases as well as pictures that have not been seen since their first publication.