30s

Linen bound HC (no dust jacket, as issued), 16 × 22 cm., 224 p., more than 140 color ills., English

This anthology contains 160 pictures by ninety female photographers to answer the question of whether there is a 'female gaze' in photography. The focus is on the four major subject areas of social reality, family, female body and virtual reality.

This photo volume from 1985, 'Menschen ohne Maske. Photographien 1906 - 1952', by German photographer August SANDER in paperback format is a re-issue of a 1971 publication, released at Swiss Bucher Verlag.

'Mauvais genre' presents views of men and women at the intersection of private life, the history of homosexuality, and feminist activism. Christine Bard and Isabelle Bonnet shed light on this often-silenced aspect through photos from Lifshitz collection.

'Cologne and its photo books. Cologne in the photo book from 1853 to 2010 'by Werner Schäfke shows the city as a large puzzle. Whether published in-house, on behalf of the city or industry, they document the diversity of this old & young Rhine metropolis.

by Colin Westerbeck (ed.). HC with dust jacket, 29 x 29 x 2 cm., 120 pp., 100 b/w & color ills., text language: English

German-language anniversary edition of the classic photo book. Walker EVANS put together 'American Photographs' himself. It became a sober, yet highly aesthetic description of the United States in the 1930s that influenced generations of photographers.

'Flaneur durch das nächtliche Paris' concentrates BRASSAI's 1930s night images. Located between reportage, social documentation & poetic vision, his nocturnal Paris from the interwar period is above all a milestone in the history of younger photography.

Leinengebundener HC (ohne Schutzumschlag),

In the 1930s, Werner MANTZ was commissioned to produce an extensive photographic documentation. In the photo book 'On Coal Mining in Limburg' this work is presented as an important historical document of a glorious era in the style of New Objectivity.