Schirmer / Mosel Verlag

The out-of-print monograph, 'Whistle for the Wind', on the work of Ryan McGINLEY contains the images of his books published until 2012, as well as texts that authors address the phenomenon 'McGinley'. The photo book impresses with its good print quality.

This First edition of photo volume 'Fabrikhallen' by Bernd & Hilla BECHER contains b/w photographs from the 1960s to 1990s. All factory halls were recorded in Germany, each recording is provided with the location and the date of the recording time.

Photobook 'Cafe Lehmitz' by Anders PETERSEN shows the former meeting place and final stop for people from the red light district of Hamburg's Reeperbahn as a living social entity with its own self-image and with dignity. Actual with a preface by Tom Waits

'Vivian Maier. Street Photographer', presents the b/w photographs of a professional nanny. These impress both with the breadth of the work and the high quality, showing all facets of city life in post-war America in humorous, beautiful and raw images.

Since 1957, Bernd & Hilla BECHER have compiled a wealth of examples of the industrial building type for 'Wassertürme' (Water Towers) photo book. Although they are functional buildings, the photographed specimens reveal an unprecedented variety of shapes.

This volume, 'New Documents 1967', about an exhibition that was to give photography a new direction - coinciding with the emergence of the RAF in the then FRG - contains documents as well as photographs by Diane ARBUS, Lee FRIEDLANDER and Garry WINOGRAND.

'Joseph Beuys. Ich (Myself the Iphigenia)' documents this art event of May 29, 1969 with numerous objects & drawings, the b/w photographs by Abisag TÜLLMANN & Ute KLOPHAUS, as well as the statements by Eva Beuys, Botho Strauß, Peter Handke and many others

by Fried, Michael (ed). Hardcover with dust jacket, 22 x 28 x 3,5 cm., 433 pp., richly illustrated, German language

New edition. Black and white photographs by Caroline Tisdall. 25 x 18 x 2 cm., 160 pp., German language.

When Helmut NEWTON presented a selection of his Polaroids to the audience with 'Pola Woman' in 1992, which he had used as sketches, the scene was enthusiastic. For the first time the master of erotic photography let himself be looked over his shoulder.