WALL, Jeff

HC (no dust jacket, as issued), 19 x 24 cm., 108 pp., 46 color & b/w ills., text language: French - TEXT ONLY IN FRENCH!

The German-language text volume 'About my artists' contains speeches, lectures, texts about German and international photographers, artists, friends, books and works on the 75th birthday of the publisher's founder and director Lothar Schirmer.

The works by Jeff WALL collected here include large-format slides, b/w images & color photo prints. More recent images enter into a dialog with works from the time of his artistic beginnings and reveal a variety of references in terms of content & form.

German Ed,tion. Gebundene Ausgabe ohne Schutzumschlag (wie erschienen), 26 x 29,5 cm., 136 S., Farbaufnahmen, deutsch-sprachiger Text - GERMAN TEXT ONLY! (english ed. also available!)

'Anonymes. L'Amérique sans nom. Photographie et cinéma' documents the representation of anonymous citizens in US in photos by Walker EVANS, Jeff WALL, Chauncey HARE, Lewis BALTZ, Anthony HERNANDEZ, Bruce GILDEN, Arianna ARCARA & Luc SANTESE, Doug RICKARD.

The illustrated book 'Photography Now: Fifty Pioneers Defining Photography for the Twenty-First Century' by Charlotte Jansen includes works by D'AGATA, CREWDSON, GOLDIN, McGINLEY, MEISELAS, PARR, RUFF, SHERMAN, SUGIMOTO, TELLER, TILLMANS, WALL and YOKOTA.

In 'Made Realities' Thomas DEMAND, Philip-Lorca DiCORCIA, Andreas GURSKY & Jeff WALL use the momentary nature of photography to create their views on reality, playing with the perception, irritating & inviting to an own interpretation of what is depicted.

How do digital photography & Photoshop influence architectural representation? This compendium 'Fiction & Fabrication' contains current architectural photographs - from fictional constructs to real buildings, some of which seem more fantastic than fiction

The volume 'Through the Looking Brain' examines one of the best and most comprehensive collections in the field of conceptual, mainly serial photography. Their spectrum ranges from the 1970s to the present day and includes major works and central groups.

Presenting work from the earliest to contemporary photographers, out-of-print 'Making It Up: Photographic Fictions' puts paid to the fallacy that ‘the camera never lies’. These photographic fictions find new relevance in our so-called ‘post-truth’ age.