Out of print at the publisher

The photo volume 'Edit Beijing' by Guy TILIM is the result of his artist residency in China. Other renowned photographers whose works have been published in this series of photo books with original prints are Pieter HUGO, Michael KENNA and Hannah MODIGH.

In out-of-print photo volume 'Matriarchs', Austrian photographer Maria HAAS focuses on the investigation of cultures in which women have a special status. She opens these cultures to the viewer and captures their beauty and vitality in sensitive portraits

HC with dust jacket & obi, 26,5 x 26,5 x 3 cm., 324 pp., b/w ills., bilingual texts: Japanese / English

This version of the book 'EIN-HEIT' (U-NI-TY) is a re-edit. Originally published in 1996, Michael SCHMIDT investigated the question of 'unity', tracing the symbolism & iconography of political systems, their propaganda & the images of people they project.

'Die Amerikaner' is the German edition of this work that looked at the Americans from a new perspective and which revolutionized the aesthetics of the photo book. It was first published in 2008, on the occasion of the anniversary of the French original.

Linen bound HC (no dust jacket, as issued), 16 × 22 cm., 224 p., more than 140 color ills., English

With 'Across the Ravaged Land' the trilogy by Nick BRANDT about the disappearance of animals in East Africa is ending. In addition to powerful animal portraits, people appear for the first time; essays summarize his odyssey that spanned more than a decade

The out-of-print volume 'The Hasselblad Award 2006' presents works by South African photographer David GOLDBLATT from 2004 to 2006 that address the country's situation in the post-apartheid era, including a number of his new triptychs on folding panels.

HC (no dust jacket,as issued), 26 x 26 cm., 112 pp., color ills., text language: English

In her out-of-print volume 'LAND', Dutch photographer Laura van SEVEREN expands the concept of landscape photography to include abstraction; In addition, their work includes an industrial-economic-critical aspect. This makes the work a relevant photo book

Out-of-print 'Dauerparker' by Christoph ENGEL encourages reflection on the aesthetics of transience as well as the transience of the aesthetics of the car. The photographs unite the opposites of light & shadow, permanence & transience, technology & nature

This out-of-print book, 'Mati & the Music', presents works by Mati KLARWEIN, which he produced for record covers by Miles Davis, Carlos Santana, Earth Wind & Fire, Buddy Miles as well as Jimi Hendrix. He has also worked for record labels such as Blue Note

Out-of-print publication reconstructs the process of the creation of the book 'Love on the Left Bank' by Dutch photographer Ed van der ELSKEN on the basis of unpublished documents - contact prints, sketches, maps - as well as a text by Tamara Berghmans.

Out-of-print 'Projects Done' shows works by Candida HÖFER in unusual formats: Small-format of 'Zoological Gardens', 'The Citizens of Calais', 'On Kawara', or large images such as 'Türken in D.' and slides of '80 Pictures', shown with black on the pages.

For nearly two decades, Harry CALLAHAN photographed his wife in countless ways: nude & clothed, on the beach, in the woods, in public parks & on city streets, and in the privacy of the family home. 'Eleanor' is the definitive publication of these photos.

This out-of-print German language volume 'Photographien 1969-1989' spans the work by US-American Robert MAPPLETHORPE from the early 1970s and shows his most iconic images from portraits to still lifes and figure studies alongside lesser-known photographs.

In China DE MAAR made photographs of the ephemeral world of the home, of being rooted. The trained sociologist seeks out those striking and magical places where families have come together for generations-where life has 'worn itself into' a house.

'Le Luxe' by Roe ETHRIDGE includes work from the 2000s without lapsing into the moribund weight of a retrospective. It continues his exploration of image making with diverse image inventories: from private images to magazine photos to archived screenshots

US photographer Edward WESTON kept a diary in which he recorded his struggle to understand himself, society and his art. 'The Daybooks of Edward Weston' were edited by Nancy Newhall in two volumes: one for his time in Mexico and one for Californian time.

In 'Sea Stories', the photos by Robert ADAMS describe the cycles of nature with a new naturalism. It contents a sequence of three visual narratives: among alder and maple trees, along the beachand back through meadows and what remains of the inland forest