About the New Topographics

The 'New Topographics' is a contemporary style of photography that emerged in the USA during the 1970s. The term derives from the 1975 exhibition at the George Eastman House in Rochester, New York entitled 'New Topographics: Photographs of a Man-altered Landscape', in which curator William Jenkins presented works by Robert ADAMS, Lewis BALTZ, Bernd and Hilla BECHER, Joe DEAL, Frank GOHLKE, Nicholas NIXON, John SCHOTT, Stephen SHORE and Henry WESSEL. These photographers turned their attention to places and landscapes or sections of landscapes (often urban suburbs) characterized by human intervention. It was not the ideal conception of landscape, but the documentary view of an environment shaped by industry, transportation and the exploitation of nature that became the subject of a new photography critical of civilization. The approach of photographers in this genre is often conceptual.

Reception

The 'New Topographics' is generally understood as the beginning of a new photographic view of the landscape and a drastic change in US landscape photography. Until then, photographers such as Ansel ADAMS and Edward WESTON in particular had defined the ideal of modern American landscape photography, guided by the view of a landscape and nature largely untouched by man.
The impetus provided by the photographers of the 'New Topographic Movement' continues to have an impact on the current generation of photographers. Joachim BROHM, Hans-Christian SCHINK, Michael SCHMIDT, Hildegard OCHSE and Heinrich RIEBESEHL, among others, can be seen as German representatives of this movement with parts of their work. (Text created using a Wikipedia entry, retrieved on 25.01.2024)

Literature about the 'New Topographics'

  • 'New Topographics. Photographs of a Man-Altered Landscape' (1975); 'New Topographics' (1999, by Paul Highman); 'New Topographics' (2013, by Britt Salvesen); 'New Topographics. Texte und Rezeption' (2013); 'Reframing the New Topographics' (2013); 'New Topographics and Tomboy. Landscape transformation and photography' (2016, by Akihito Onishi); 'New American Topographics' (2018)

About the photographers associated with and influenced by the 'New Topographics'
  • Robert ADAMS, Lewis BALTZ, Bernd and Hilla BECHER, Joe DEAL, Frank GOHLKE, Nicholas NIXON, John SCHOTT, Stephen SHORE, Henry WESSEL, Joachim BROHM, Hans-Christian SCHINK, Michael SCHMIDT, Hildegard OCHSE, Heinrich RIEBESEHL
Photo books by and with works by photographers associated with and influenced by the 'New Topographics'
  • ADAMS, Robert
    BALTZ, Lewis
    BECHER, Bernd and Hilla BECHER
    DEAL, Joe
    GOHLKE, Frank
    NIXON, Nicholas
    SCHOTT, John
    SHORE, Stephen
    WESSEL, Henry
  • BROHM, Joachim
    OCHSE, Hildegard
    RIEBESEHL, Heinrich
    SCHINK, Hans-Christian
    SCHMIDT, Michael

The two-volume publication presents insights into the early work of Robert ADAMS as well as a previously unpublished text on his perception of modern sacred architecture - in the context of the buildings of the friendly German architect Rudolf Schwarz.
0,00 € *
HC with dust jacket, 20,5 x 25,5 x 1 cm., 72 pp., b/w ills., text language: English
39,00 € *
In this late photo book photographer Robert ADAMS allows us to take a look at his very personal surroundings. The b/w photographs gathered here can hardly be called special, but this calm view onto the private sphere makes it extraordinarily interesting.
0,00 € *
This edition contains b/w photos taken between 1973 and 1991, a six-page interview with as well as a two-page biography. It was published in the 'Photographers at Work' series by the American Smithsonian Institute - like EGGLESTON's 'Horses and Dogs'.
0,00 € *
The reissue of photo volume 'Cottonwoods' by Robert ADAMS was originally published in paperback by Smithsonian in 1994 as part of the 'Photographers at Work' series. For the now expanded edition, further recordings from the series at that time were taken.
45,00 € * Weight 0.9 kg
In 1968, Robert ADAMS photographed the nondescript area south of Colorado Springs. The b/w images, clear in their description, embodied the contemporary landscape of the US frontier - a theme of far-reaching significance taken up by the 'New Topographics'
55,00 € * Weight 0.7 kg
The photo book 'From the Missouri West' by Robert ADAMS, first published in 1980, marked a turning point in the history of landscape photography by deeming the majesty of the West worthy of unromantic viewing. Here as a significantly expanded new edition.
125,00 € * Weight 1.6 kg
The photographic volume 'Gone?' by Robert ADAMS begins with a walk in a suburban neighborhood. Within a few images the viewer has moved away from civilization and into the hills, where we discover streams and secluded places that feel relatively untouched
48,00 € Weight 1.1 kg
Pb. (no dust jacket, as issued), 23 x 26,5 x 1 cm., 110 pp., 52 b/w ills., text language: English
0,00 € *
The 'Our Lives and Our Children' series by Robert ADAMS was made very close to a nuclear weapons arsenal. This reissue includes an expanded sequence of images that retains the compactness of the first edition and the tonalities of the original prints.
from 34,00 € Weight 0.5 kg