The xtremely rare photo volume 'Underground Generation' contains works by Daido MORIYAMA, Eikoh HOSOE, Jun MORINAGA, Masahisa FUKASE, Kishin SHINOYAMA and Kenji ISHIGURO who were in 1968 out and about with their cameras. in the Shinjuku district of Tokyo.
0,00 € * Weight 0.8 kg
The classic volume 'Light and Shadow' by Daido MORIYAMA in a new version. This reprint includes a bound edition as well as a paperback supplement with detailed information on each photo, an exclusive commentary by Daido MORIYAMA and a subscribed interview
198,00 € * Weight 1.4 kg
'View from the Laboratory' by Daido MORIYAMA, is the result of a long awaited visit, a search for traces by one of the greatest photographers of our time. In the text, he describes his relationship with this place and the first historical photograph.
58,00 € * Weight 0.6 kg
Out-of-print 'Record / Kiroku #24' by Daido MORIYAMA features 'street snaps' mostly taken in southern France (Arles, Avignon, Marseille and Paris). He fondly recalls endless fields of sunflowers,the sparkling Mediterranean Sea and meeting with Sarah MOON
55,00 € * Weight 0.6 kg
Mostly all images in this photo volume, 'Okinawa' by Daido MORIYAMA are taken in 1974 when he visited Okinawa for a 'photo school workshop' with Shomei TOMATSU, Eikoh HOSOE, Masahisa FUKASE as well as Nobuyoshi ARAKI.
148,00 € * Weight 0.7 kg
Slipcased linen bound HC with tipped-in photograph (no dust jacket, as issued), 18,5 x 26 x 2 cm., 84 pp., b/w ills., text language: English, Ltd. to 1,000 copies
0,00 € *
Re-edit, pb. (no dust jacket, as issued), 21 x 30 x 1 cm., 32 pp., 42 b/w ills., no text, Ltd. to 350 copies
148,00 € *
This anthology, appropriately self-titled 'Record', contains works from all 30 issues of Daido MORIYAMA's self-published magazine 'Kiroku/Record' since the 1970s. The editing in a single sequence is interrupted only by the text written by himself.
178,00 € Weight 2.2 kg
Reception

The photographs by Daido MORIYAMA have/had a great influence on many young Japanese photographers and also had a great impact internationally. He has published a large number of photo books and his photographs have been published in many magazines. In 2019, the 110-minute documentary film 'Daidō Moriyama. The Past is always new, the Future is always nostalgic' (directed by Gen Iwama). It shows how two men, a publisher and a graphic artist, accompanied him for over a year during the production of the new edition of 'Japan. A Theater' for over a year.

Awards (selection)
  • 1983: Photographer of the Year, Japan;
    2004: Cultural Award of the German Society for Photography;
    2012: Infinity Award from the International Center for Photography (ICP);
    2019: Hasselblad Foundation Award;
Exhibitions (a selection)
  • 1980: Gallery Forum Stadtpark / Camera Austria, Graz, Austria;
    1981: Zeit-Foto Salon, Tokyo, Japan;
    1986: Philadelphia Museum of Art, USA;
    1989: International Photo Triennial, Esslingen;
    1991: Meyers, Wiedikon, Switzerland;
    1993: Watarium Museum, Tokyo, Japan;
    1999: San Francisco Modern Museum, USA;
    2000: Fotomuseum Winterthur, Switzerland and Museum Folkwang, Essen;
    2002: White Cube, London, Great Britain;
    2003: Cartier Foundation, Paris, France;
    2004: Art Cologne, Cologne;
    2006: Foam, Amsterdam;
    2007: SK Stiftung Kultur, Cologne;
    2010: Michael Hoppen Gallery, London (with Shōmei TOMATSU)
    2012: Tate Gallery of Modern Art, London (with William KLEIN)
    2013: Kasseler Kunstverein, Kassel (with Mika NINAGAWA)
    2019: 'My Garden of Eden', Christophe Guye Gallery, Zurich, Switzerland;
    2023: 'Retrospective', C/O Berlin, Germany;