Mack Books

Signed new edition. Paul GRAHAM's photo volume set 'A Shimmer of Possibility' is considered one of the defining photo books of the 21st century and was awarded the Paris Photo-Aperture Prize for the most important photo book of the last 15 years.

The nearly 40 year old color film material for the classic photo book 'A1 - The Great North Road' by Paul GRAHAM is a photo-historical document of the 1980s' Great Britain - Margaret Thatcher's reign and the declining industrial base.

Pb, (no dust jacket, as issued), 28 x 39 x 1,5 cm., 40 pp., 16 color ills., text language: English, Ltd. to 1,000 numbered copies

The catalog volume 'House of Cards' accompanies the large Thomas DEMAND exhibition. It begins with his current series 'Modellstudien', but also includes the projects 'Black Label', 'Embassy' & 'Nagelhaus'. Additionally, it contains many informative essays

By intervening in disused interiors as well as the photo documentation of the modified scenes, the American photographer John DIVOLA also creates works in his photo volume 'Terminus' that are located between pictures, sculptures and installations.

Pb. (no dust jacket, as issued), 14 x 23 x 2 cm., 260 pp., some b/w ills., text language: English

'Quitting Your Day Job. Chauncey Hare's Photographic Work' addresses the difficult relationship between art & politics that has defined the career of Chauncey HARE. Robert Slifkin draws on largely unexplored material to analyze these brilliant photographs

Published in conjunction with an exhibition featuring photographs by three remarkable photographers at the San Francisco Museum of Modern Art to show their work, their relationship to one another and their place in the history of photography in the 1970s.

Compilation of textual, photographic & filmic essays, 'Art Isn't Fair', underlines Allan SEKULA's longstanding commitment to the many interfaces between art, photography and the changing terrain of power struggles from a local & international perspective.

'Paul's Book' by Collier SCHORR is about a model who she visited at home for a shooting. The idea was to experience photography as a social space, a conversation in which his body and her eyes try to understand the fascinations and fantasies of the other.