About Italian photographer, Guido GUIDI (b.1941)

Guido GUIDI's work since more than 40 years has focused in particular on rural and suburban geographies in Italy and Europe. He began experimenting in the late 1960s with pseudo-documentary images that interrogated photography's objectivity. Influenced by Neorealist film and Conceptual art, in the 1970s he began investigating Italy's man-altered landscape. Working in marginal and decayed spaces with a (8"×10") camera, he creates dense sequences intended as meditations on the meaning of landscape, photography, and seeing.

Photo books by as well as with contribution by Guido GUIDI

  • 'A New Map of Italy' (2011); 'Carlo Scarpa: Brion' (2011); 'Preganziol 1983' (2013); 'Veramente' (2014); 'Annual Series #6' (2018, together with works by Gregory HALPERN, Jason FULFORD sowie von Viviane SASSEN); 'Per Strada' (2018); 'In Veneto. 1984-89' (2019); 'In Sardegna' (2019); 'Lunario, 1968-1999' (2020); 'Tra l'altro, 1976-81' (2020); 'Cinque Viaggi. 1990-98' (2021); 'Di Sguincio. 1969-81' (2023); 

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Pb, (no dust jacket, as issued), 28 x 39 x 1,5 cm., 40 pp., 16 color ills., text language: English, Ltd. to 1,000 numbered copies
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The subtitle of the volume 'Red desert Now!' is 'Antonioni's Legacy in Contemporary Italian Photography' and shows the filmmaker's influence on (mainly Italian) photographers such as Lewis BALTZ, Guido GUIDI, Francesco NERI and Franco VACCARI.
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Distortions, experiments and illusions characterize GUIDI's early work from the late 1960s and early 70s, which he further developed by introducing a 'fisheye' lens. In 'Lunario' he returns to the moon as a source of stylistic and thematic inspiration.
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3 pb. vol., each with tipped-in-image and a bilingual booklet, all housed together in a printed slipcase, 30 x 24 x 4 cm., 464 pp., color ills.,
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Since 1995 the prominent Italian photographer Guido GUIDI has been photographing the tomb of the Brion family in San Vito d'Altivole by Carlo Scarpa. This photobook, 'Carlo Scarpa's Tomba Brion', presents architectural details in color photographs.
0,00 € * Weight 1.5 kg
1983, having built himself a rudimentary 8X10 camera, Guido GUIDI began working on several projects: via Emilia, via delle Industrie in Marghera, and a mine at Monte Grappa, Gibellina. 'Monte Grappa. 1985-1988', traces his work at Monte Grappa until 1988.
0,00 € * Weight 0.3 kg
In 'Conversations', Rémi Coignet explores in interviews the question of what role the photo book plays in the work of photographers, designers & publishers and how their titles are conceived. Two more volumes with interviews have been published until now.
from 29,50 € Weight 0.3 kg
The book 'Verso Nord' is the result of a collaboration between Guido GUIDI & Gerry JOHANSSON during a campaign in Castelfranco. The former focused on the historic city center with his large format camera and the latter on the suburbs in his medium format.
from 45,00 €
This selection of 94 photographs in 'Tra l'altro. 1976-81', taken with 35mm cameras, stand for the transition from GUIDI's visual thinking and the progressive shift to color photography, which he began in the early 1980s with the large format 8x10 camera.
48,00 € * Weight 0.9 kg
The images in 'Di sguincio' by Guido GUIDI represent experimental dialogues between him and his 35mm camera. Antidocuments & anachronistic records comment ironically on photography's claim to truth showing his preoccupation with the medium's possibilities
from 55,00 € Weight 1.2 kg