German Photographer

'Mastering the Elements' by Jana HARTMANN juxtaposes alchemical writings, scientific treatises & ethical viewpoints and initiates an interdisciplinary dialogue between visual-artistic, allegorical-alchemical, philosophical as well as scientific viewpoints

The book 'Encounters' by Evelyn HOFER explores the multifaceted idea of the 'portrait' in her oeuvre in series on New York, Dublin & Washington, images of artists & their ateliers, selected magazine essays for and New York photos of Andy Warhol’s Factory.

Spectacular images from all over the world: in 'The Raw and the Cooked' the photographer Peter BIALOBRZESKI presents some of his best color works, seductively beautiful tableaus from fourteen countries show a 'progress' that triggers discomfort and fear.

In his monograph on Ulrich WÜST, 'The Presence of Something Past,' Gary Van Zante contextualizes the work to American & German urban and landscape photography. With over 200 images, including for the first time some of his leporellos from the title series

Signed! 'In Limbo' by Florian BACHMEIER, describes a state of numbness & insecurity against the backdrop of the Ukraine conflict. The images, taken over the last 8 years, make historical processes visible, as well as their psychological & social effects.

'Imperial. Majestic. Magical' accompanied an Austrian Axel HÜTTE exhibition. It contains older cycles and newer works. Front portraits meet shimmering figures with a landscape character, Venetian cityscapes meet current photographs of the lagoon city.

New Ed., HC (no dust jacket, as issued), 24,5 x 31,5 x 2,5 cm., 200 pp., 128 duotone b/w ills., bilingual texts: German / English

Pb. with dust jacket, 16 x 24 x 1,5 cm., approx. 140 pp., 107 color ills., trilingual text: English / German / Chinese, Ltd. to 800 copies

Pb. (no dust jacket, as issued), 22 x 25 x 1,5 cm., 128 pp., 166 ills., bilingual: German / English

The out-of-print volume 'Das Gesicht er Landschaft. Rhein und Siebengebirge' contains landscape & plant photographs taken by August SANDER from the mid-1920s to the early 1940s. Two German-language essays provide the background to roundabout 70 b/w images