America

US photographer Edward WESTON kept a diary in which he recorded his struggle to understand himself, society and his art. 'The Daybooks of Edward Weston' were edited by Nancy Newhall in two volumes: one for his time in Mexico and one for Californian time.

The out-of-print volume 'New Orleans 1960' is about the birthplace of jazz. The photos were taken in 1960 during a trip when he traveled through the United States with musicologist Joachim E. Berendt for 'Jazzlife' to document America's original art form.

'Public Matters' by documentary photographer Janet DELANEY gathers images from sunny Reagan-era San Francisco, capturing the spirit of protests & parades, and people shaken by the turn to conservative government as their 1960s demands now came to a halt.

In 'Beautiful, Still,' US-american photographer Colby DEAL documents overlooked communities and cultural traits that are gradually being erased by gentrification, as well as communities of color whose members are often portrayed with negative connotations

Out-of-print volume 'Los Angeles 1964' by Magnum photographer Bruce DAVIDSON contains previously unpublished photographs from Los Angeles. He had been sent there by a magazine, but the publication of the pictures had been rejected for undisclosed reasons.

The photographic volume 'Pasaco, 1996' by Luis CORZO contains archival material & new images of places, objects as well as people involved in his kidnapping. With that, he addresses violence, corruption, the death penalty and criminal rehabilitation.

'But Still, It Turns', a photo and text book edited by prominent British photo artist Paul GRAHAM, brings together collected dynamic and diverse works that tell open stories. These are brought together in this volume - in harmony and revealing dissonance.

This so far only monograph on Sid GROSSMAN, a comprehensive survey of his life and work, includes early social documentary work (1930s), more personal and dynamic street photography (1940s), and late experiments with abstraction in b/w and in color.

In this out-of-print photo volume, 'Colors. The Polaroids', Dennis HOPPER documents gang graffiti in Los Angeles in the mid-80s. The photographs, reproduced in their original format, preserve that ephemeral kind of street art and communication method.