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About the author and (co-)editor, Burcu Dogramaci
Prof. Dr. Burcu Dogramaci is a professor of art history, currently teaching at the Ludwig-Maximilians-Universität in Munich. Her area of expertise is art history from 1900 to the present. The focal points of her research are: Exile, Migration, Flight, Photography and the Photobook, Fashion, Architecture, City, Sculpture of the Weimar Republic and Post-War Period, Live Art, and the History of Art History.
Books on photography by and with the participation of Burcu Dogramaci
'Schnittstellen: Mode und Fotografie im Dialog' (Interfaces: Fashion and Photography in Dialogue, 2010); 'Fotografieren und Forschen. Wissenschaftliche Expeditionen mit der Kamera im türkischen Exil nach 1933' (Photographing and Researching. Scientific Expeditions with the Camera in Turkish Exile after 1933, 2013); 'Heimat: Eine künstlerische Spurensuche' (2015); 'Gedruckt und erblättert. Das Fotobuch als Medium ästhetischer Artikulation seit den 1940er Jahren' (The photo book as a medium of aesthetic articulation since the 1940s, 2016); 'Fotografie der Performance: Live Art im Zeitalter ihrer Reproduzierbarkeit' (Photography of performance: live art in the age of its reproducibility, 2018); 'Handbook of Art and Global Migration: Theories, Practices, and Challenges' (2019); 'Burhan Doğançay: Zeichen an der Wand' (Signs on the Wall, 2019); 'Kunsthistorikerinnen 1910–1980: Theorien, Methoden, Kritiken' (Women Art Historians 1910-1980: Theories, Methods, Critiques, 2021)