Cologne

'Fotografen sehen Köln' contains works by Cologne photographers such as August Sander, Werner Mantz, August Kreyenkamp, Karl Hugo Schmölz, Heinrich Ewertz a.o., which show the historical upheavals and the rapid development of the medium of photography.

'Köln. 1970/1995' contrasts b/w photographs by the photographers CHARGESHEIMER and VOLLMER. The comparison reveals the change of Cologne, its architecture as well as infrastructure and provides subtle insights into historical backgrounds and cultural life

HC (no dust jacket, as issued), 30 x 21 x 1,5 cm., 101 pp., b/w ills., 990 gr., German text only

In 'Köln in Wirtschaftswunderzeiten' (economic miracles), Heinz HELD portrays the city of Cologne its residents from the 'rubble times' to the mid-1970s. The era of acceleration & expansion is reflected in its views of buildings, everyday life & portraits

In 1944/45 Lee MILLER accompanied the fighting troops of the US Army and photographed German cities, places & people that had just been liberated. The pictures in this photo book, 'Köln im März 1945', are both - historically and artistically -spectacular.

Broschierte Ausgabe ohne Schutzumschlag (wie erschienen), 18 x 26 x 1 cm., 121 S., 111 S/W-Aufnahmen, deutsch-sprachiger Text - GERMAN TEXT ONLY!

For his 'Unter freiem Himmel' (Outdoors), Dirk GEBHARDT was on the road as a participant observer. With his children, their friends and playmates, he romped in parks and playgrounds for over ten years, observing the process of growing up with his camera.

HC (no dust jacket, as issued), 22,5 x 29,5 x 1,5 cm., 144 pp., 111 b/w ills. + 10 color ills., 1,100 gr., bilingual texts: German / English

Huge Presentation Box, within one book (24 x 29 cm., 384 pp., 425 color ills.) + ONE OF THREE numb. High-End-Digital-PhotoPrints, authorized by the Rheinischen Bildarchiv (29 x 42 cm.), Ltd. to 100 copies

The collection 'Margret. Chronik einer Affäre' (Chronicle of an Affair) is an emphatically sober and at the same time obsessive, authentic documentation, shows the changes in a couple's dealings with each other and is a moral portrait of the late 1960s.