Yale University Press

This monograph provides an excellent view of the work of the US-American photographer Berenice ABBOTT, who not only made Eugène ATGET's work about Paris world-famous, but also pursued her own project about changing New York and did science photography.

In 'Sea Stories', the photos by Robert ADAMS describe the cycles of nature with a new naturalism. It contents a sequence of three visual narratives: among alder and maple trees, along the beachand back through meadows and what remains of the inland forest

Three linen bound HCs with dust jacket, 25 x 30 x 8 cm., 640 pp., b/w ills., text language: English

Pb. (no dust jacket, as issued), 21 x 24 x 1,5 cm., 106 pp., b/w ills., text language: English

Carefully edited by Robert ADAMS himself, the volume 'What Can We Believe Where? Photographs of the American West' contains a sequence of over 100 B&W photographs that reveal his concern for man's growing tragic relationship with the natural environment.

Juxtaposing portrait & landscape photographs, 'Two American Projects' explores Dawoud BEY's vivid evocations of race, history, time and place. The photographer explicitly engages with African American history in both lyrical and immediate representations.

The out-of-print photo book 'Drive' by Andrew BUSH presents a voyeuristic look at Los Angeles motorists in their own driving living rooms. The captions are tantamount to notes on the speed and direction of travel he made during sue accompanying drive.

In his out-of-print book 'Children', Lee FRIEDLANDER presents more than 300 black-and-white images in two sections. Taken together, the images offer a picture of America's youth through the eyes of one of the most renowned photographers of his generation.

Lee FRIEDLANDER has explored self-portraiture throughout his career. What began as an unorthodox exploration of the genre has evolved into a masterful pursuit, as the photo volume 'In the Picture. Self-Portraits 1958-2011' shows in 400 duotone images.

'JFK. A photographic memoir by Lee FRIEDLANDER is the first to show archive photos of the public reaction to the election and assassination of President John F. Kennedy. A moment in US history that enchanted the nation and continues to impress today.