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The special edition of self published photo volume 'Wet City / Islak Kent' by turkish photographer Yusuf Murat SEN comes in a special box including a numbered & signed copy plus one limited edition fine art print. This edition box is limited to 100 copies

Self published out-of-print photographic volume 'Distance. 1991-1995' by Koji ONAKA is about an unspecified city and in its industries. The black-and-white images show railroad infrastructure and roads, as well as a worn port. Signed & numbered (178/300).

The book 'Unimachi 1997' by Koji ONAKA was created in 2012 under the impression of the devastating tsunami in Japan. The b/w photographs show the urban everyday life of the region at the end of the 1990s. The series was later published again as a volume.

The images in the self-published volume 'da denk ich, dass ich fliegen kann' by Conny HÖFLICH give insight into the parallel world of children and the loss of immediate access. The pictures also tell of this in their ambivalence of closeness and distance.

The dualistic principle of the chiaroscuro design forms in the large-format photo book 'Visual Dualism. Dolomites' by Austrian photographer Peter MATHIS is an essential focus and leaves us speechless when looking at the Dolomites in black and white.

The narrow band 'summer days. Peace Days' contains a selection from films that Robert CAPA exposed on his last visits to Berlin in the summer of 1945. New prints made from the original negatives in 1986 were used as a model for reproduction.

Long time out-of-print catalog volume 'Aus der Distanz' features works by Bernd and Hilla BECHER as well as by Becher students Andreas GURSKY, Candida HÖFER, Axel HÜTTE, Thomas RUFF, Thomas STRUTH as well as Petra WUNDERLICH. And it contains two texts.

Open spine pb., 23,5 x 32 x 1,5 cm., 188 pp. (+ 64 inserted pp., 10,5 x 15 cm.), bilingual textes: French / English

This out-of-print photo volume, '40 let fotoreportérem', offers a comprehensive overview of the work of Emil FAFEK. Starting with photos from the Second World War and the Liberation, through the Reconstruction to the Czech politics of the 1950s to 1980s.

'Der Westerwald im Spiegel der Zeit' gives an insight into August SANDER's work in his home area in around fifty photographs. Here, motifs from his work 'People of the 20th Century' are combined with photos that he had filed under the name 'Bauernarchiv'