Prestel Verlag

Eight remarkable women war photographers who have documented crises and combat around the world for the past eighty years: Lee MILLER, Catherine LEROY, Susan MEISELAS, Anja NIEDRINGHAUS, Carolyn COLE, Françoise DEMULDER, Christine SPENGLER, and Gerda TARO

In his haunting, fascinating photo essay about a dump in Ghana, South African photographer Pieter HUGO exposes the repressed downside of fast-moving consumption and tells of a community characterized by poverty and the will to survive of every individual.

In the out-of-print monograph titled 'Chasing Shadows', Santu MOFOKENG, who documented the fight against apartheid and the living conditions of the South African population in his photographs, describes his approaches and approach in an interview.

For '1-2-3-4' famous Dutch Anton CORBJIN put together pictures from his archive, including recordings that have never been published. The result is one of his most important photo books ever and an experience for lovers of photography and music alike.

The out-of-print volume 'And so Forth' contains works from the last decade by Sophie CALLE, who has always surprised and sometimes caused irritation. In her actions, photos and installations, she deals with her own private sphere in an unsparing manner.

In the photo volume 'Avenue Patrice Lumumba' the South African photographer Guy TILLIM deals with the urban architecture of colonial and post-colonial society in Africa. His focus is on their changes due to multiple shifts in power over the past 50 years.

HC (no dust jacket, as issued), 25 x 29 x 2 cm., 160 pp., color & b/w ills.,English

'Between the Devil and the Deep Blue Sea' on the work of Pieter HUGO contains 'Rwanda 2004', 'Looking aside', 'The Hyena Men...', 'Permanent Error', 'There's A Place in Hell For Me and My Friends', 'Nollywood', 'Kin', '1994' & 'Californian Wildflowers'.

The out-of-print volume 'The Lost Album' contains works by Dennis HOPPER taken between 1961 and 1967. Selected for his first major exhibition in 1969/70, the prints were stored in boxes, rediscovered and 2012 shown to European audience for the first time.

'Daido Moriyama: A Retrospective' reveals an ever-evolving career: his early editorial work in the mid-1960s; radical experiments of the late 1960s and 1970s; the self-reflexive photographs of the 1980s and 1990s; and his ongoing exploration of cities.