Mack Books

English Ed., pb., 23 x 29 x 2 cm., 196 pp., color ills., text language: English (also available in French)

This photo volume, 'Somersault' by Raymond MEEKS, is a concise, poetic reflection on home and the ties that bind us to it. Inspired by his daughter's entry into adulthood, the American photographer explores the centrifugal forces of the places we live.

'After' by Martin KOLLAR was created after the death of his partner. It is a careful sifting through his archive - a crystallization of contexts and themes that he had not seen before. The aim of the book is to show how the before merges into the after.

New edition, second printing. Wendy EWALD's 'Portraits and Dreams' - begun in 1975 - offers access to a view of the rural south of the USA that is expanded through the eyes of children. It contains alos recordings and stories from the original publication

The color images in out-of-print volume, 'Red Eye to New York' by American photographer Janet DELANEY, brim with joie de vivre and reveal a precious blend of private life in public and the fleeting moments of connection between photographer and subject.

This extensive designed volume, 'The Complete Papers' by renowned artist Thomas DEMAND, contains previously unseen early works as well as reference reproductions of each of his pieces. Housed in a slipcase, is already considered a reference to his work.

'ZZYZX' by Gregory HALPERN, contains photos from California - starting in the desert east of Los Angeles, stretching west through the city to the Pacific. It's an opus of fiction or fantasy - a structure that, like L.A. itself, is on the verge of collapse

New York City parks Washington Heights and Inwood serve as a backdrop for a narrative that takes place between day and night in the narrative of the monochrome book 'Dyckman Haze' by Adam PAPE. A constant exchange between people, animals and the landscape

The book 'Hibi' by Masasia FUKASE contains 'Street Photography' of a special kind. In 1992 the Japanese photographer painted prints showing metropolitan road surfaces marked by time with garish colors. As a painter he often referred to asphalt structures.