Koenig Books

This book, inspired by Gerhard RICHTER, designed and perfected by corrections, shows 92 previously unknown, mostly colored, abstract pencil drawings. It contains eight different series, which are defined by format & technique.

The German-language edition of the text and photo book about the exhibition strategies of Pop Art icon Andy WARHOL.

6 slipcased HC, 22 x 26 cm., 1930 pp., 1.900 color ills.,

In his volume 'Engadin', Gerhard RICHTER explores his deep relationship with the Swiss Alpine region, which he first visited in the late 1980s. The volume contains 80 illustrations: Paintings, overpainted photographs, plus previously unpublished documents

For her photographic volume 'Belgisches Haus', Candida HÖFER visited the 1950 opened building at Cologne several times and documented it in her impressive photographs. An essay by Marcus Trier is dedicated to the history of the traditional house.

Today, when civilian supersonic air travel - once a futurist's dream - has become a cultural relic, the images in 'Concorde' by the German photographer Wolfgang TILLMANS mark not only a starting point for his own work, but also a larger historical moment.

Facsimile of the first book by GILBERT & GEORGE, first published in 1971. 'Side by Side' it is a proclamation of their view of life and art in the form of poetic texts & pictures. The envelope was marbled by hand and every book is numbered and signed.

The photo book 'Waffenruhe' (Truce) by Berlin photographer Michael SCHMIDT, reissued after 30 years - here in the English-language version - contains a subjective view of his hometown in the 1980s and is one of the most important photo books of all time.

The annotated, richly illustrated bibliography on the history of photo books in Sweden - from early examples with glued-in albumin prints to contemporary books, from traditional formats to going out design - has published very seriously and with expertise

This out-of-print volume 'Maniera Moderna' is dedicated to the multifaceted work of Carlo MOLLINO. His surrealist roots can be seen in the black-and-white photographs and interiors of the 1930s to his later works as well as his staged erotic Polaroids.