Koenig Books

This version of the book 'EIN-HEIT' (U-NI-TY) is a re-edit. Originally published in 1996, Michael SCHMIDT investigated the question of 'unity', tracing the symbolism & iconography of political systems, their propaganda & the images of people they project.

Out-of-print 'Projects Done' shows works by Candida HÖFER in unusual formats: Small-format of 'Zoological Gardens', 'The Citizens of Calais', 'On Kawara', or large images such as 'Türken in D.' and slides of '80 Pictures', shown with black on the pages.

In 'Fotografiegeschichte der Abstraktion' (Photographic history of abstraction), Kathrin Schönegg traces the history of photography: from the experimental beginnings in the 1830s, through (pseudo)scientific, applied & artistic contexts, to digitalization.

Crossfading of human bodies in the karst coastal landscape of the Crimean peninsula. The protagonists were taken from contemporary history & the present. MIKHAILOV reproduces here the history of photographic image production in resolution and form finding

Pb. with poster as dust jacket, 21,5 x 28 x 1 cm., 68 pp., with 14 color & 23 b/w ills., bilingual texts: German / English

HC (no dust jacket, as issued), 22,5 x 22,5 x 2 cm., 208 pp., 84 color ills., multilingual: German, English, Norwegian, Hebrew

With its generous image flow, this book, 'A Diary', celebrates important Japanese photographer Daido MORIYAMA as the 2019 Hasselblad Award winner and his highly influential, lifelong radical and authentic approach to photography.

Gerhard RICHTER's compendium of his series, 'Atlas', shows more than 800 plates including the series 'War Cut', as well as about 50 plates with the late motifs, including the designs for the stained glass window in the south transept of Cologne Cathedral.

Broschierte Ausgabe ohne Schutzumschlag (wie erschienen), 264 S. mit 25 ganz- bzw. doppelseitigen S/W-Abb., Bibliographie, Indices, deutsch-sprachiger Text - GERMAN TEXT ONLY!

In his tireless search, LEMPERT has already created a large image archive. His interest in nature is complemented by his extensive research into the properties and materiality of the photographic image. His photographs are resistant to any categorization.