Kehrer Verlag

For her photo book 'Betweenness', Israeli photographer Lili ALMOG was inspired by the veiling practices of an extremist Jewish sect. In a novel representation of the veil, she raises questions about freedom and faith and how these truths can coexist today

In this volume, 'Blood Orange / Naranja de Sangre', Liza AMBROSSIO, infected by the aesthetics of Japanese counterculture and Aztec rituals of human sacrifice, she mixes psychological techniques of manipulation, with science, fiction, eruro & witchcraft.

HC with dust jacket, 23,5 x 31 cm., 116 pp., 54 color ills., text language: English

The photo volume'Tokyo Jazz Joints' by Northern Irish photographer Philip ARNEILL and James Catchpole documents the culture of disappearing jazz pubs and cafes in Japan / Tokyo, the Jazu Kissa, where jazz records are played and time seems to stand still.

The compendium 'Augen auf!' offers an art and cultural history of the Leica from the 1920s to the present day. With essays on the technical genesis of the Leica, its influence on modern photojournalism and its significance for the photographic avant-garde

'Where the World is Melting', is the first compilation by Ragnar AXELSSON himself of his 40-year life's work.It includes his highly acclaimed series 'Faces of the North', 'Glacier' and 'Last Days of the Arctic' as well as a previously unpublished series.

'Arctic Heroes' by Ragnar AXELSSON takes a moving look at the fate of the Greenland sled dog. Where the melting ice sheet is irrevocably destroying the traditional way of life of the hunters, global warming is an immediate threat to their daily survival.

In 'Cut Outs' Jessica BACKHAUS consequently continues her path of abstraction already taken in photo volume 'A Trilogy' - using analog methods she creates and documents visual experimental arrangements, poetic choreographies of intense, sunlighted colors.

Jassica BACKHAUS shows in 'Jesus and the Cherries' people in their apartments, at work, and in the untouched Polish landscape. The pictures are neither intrusive nor tactless; she encounters people with dignity and full of admiration for the way of life.

This new edition of 'Once, Still and Forever' (original released in 2013) is limited to 1,000 signed copies. BACKHAUS proves her infallible instinct for picture compositions that open up a cosmos of unforeseen meanings in the midst of loving familiarity.