Emons Verlag

This report, 'Garzweiler' (or how the lignite connection burns up an entire region), with b/w photographs by Eusebius WIRDEIER, reveals the machinations of a powerful lignite connection of business, politics and trade unions in the fight for Garzweiler II

'Fotografen sehen Köln' contains works by Cologne photographers such as August Sander, Werner Mantz, August Kreyenkamp, Karl Hugo Schmölz, Heinrich Ewertz a.o., which show the historical upheavals and the rapid development of the medium of photography.

HC (no dust jacket, as issued), 30 x 21 x 1,5 cm., 101 pp., b/w ills., 990 gr., German text only

In 'Köln in Wirtschaftswunderzeiten' (economic miracles), Heinz HELD portrays the city of Cologne its residents from the 'rubble times' to the mid-1970s. The era of acceleration & expansion is reflected in its views of buildings, everyday life & portraits

Erich ANDRES, GERMIN, Günter ZINT (eds.) Gebundene Ausgabe mit Schutzumschlag, 28,5 x 31 cm., 320 S., etwa 300 S/W- & Farb-Abb., deutsch-sprachiger Text - GERMAN TEXT ONLY!

Broschierte Ausgabe ohne Schutzumschlag (wie erschienen), 18 x 26 x 1 cm., 121 S., 111 S/W-Aufnahmen, deutsch-sprachiger Text - GERMAN TEXT ONLY!

'Kino in Köln' (Cinema in Cologne) offers an in-depth look at the cinema city. From the 1st cinema, to boarding houses, film palaces & box cinemas, to multiplex. Owners & employees report on stars & premieres, the great crisis and the boom of mainstream.

'Chargesheimer fotografiert Jazz' contains portraits of musicians and their Cologne performances, as well as studio shots that also served as models for posters and record covers. Of around 600 negatives, a large part is published here for the first time.

B/w photographs from the 1920s to 1950s, some of which were published for the first time, create a small custom painting of a time when not only the region, which is still rural, has crossed the threshold of modernity, but also the photography itself.