Black Books :-)

The photo volume 'Niagara' by Alec SOTH is less about the natural wonder than the human desires associated with this place. They were taken with a large-format 8x10 camera over the course of two years on both the American and Canadian sides of the Falls.

For 'Holy Bible', BROOMBERG & CHANARIN show photos of Archive of Modern Conflict with an eye toward Adi Ophir's tenet: that God reveals Himself through catastrophe, and power structures from the Bible correlate with those of modern systems of governance.

The out-of-print photo book compendium 'Japanese Photobooks of the 1960s and '70s' by Kaneko & Vartanian presents relevant publications of that era. Some of the most influential works and forgotten gems are presented and placed in a sociological context.

With b/w works by Antoine D'AGATA, Trent PARKE, Anders PETERSEN, Roger BALLEN, Jacob Aue SOBOL, Keizo KITAJIMA, Kim THUE, Marco VERNASCHI, Margaret M. DE LANGE, Michael ACKERMAN, Olivier PIN FAT, Giancarlo CERAUDO and Daisuke YOKOTA

This version of 'The Democratic Forest' contains a selection from the ten-volume set from 2015. William EGGLESTON has developed a unique style that skilfully combines local themes with an innate, nuanced understanding of color, shape and composition.

In 'Diary' Boris MIKHAILOV tells about his life: Historical, but above all private memories in notes, colorings, crossings out, scratches, stains & photo fixing adhesive strips. A poignant chronicle, often ruthless and cynical, carried by the love of life

Long out-of-print photo volume 'Bag Saga Blok' by Danish Krass CLEMENT, is a neighborhood portrait spanning over five decades around an old movie theater in Copenhagen's Vesterbro neighborhood - presented with an impressive range of photographic styles.

The selection made for this book, 'Photographs 1951-2000', shows why Shomei TOMATSU is regarded by almost all living Japanese photographers - including the stars of the scene like Nobuyoshi ARAKI or Daido MORIYAMA - as 'godfather' of Japanese photography.

'Tokyokei' documents both: Issei SUDA's very personal view of his hometown and an important Japanes period. This photo book is perhaps the most personal title of the Japanese master. It contains 106 previously unpublished b/w photos from the 1970s and 80s

'Pantomime' by Daido MORIYAMA features the more or less complete series of his pictures of fetuses, stored in formalin, photographed at a maternity hospital in Kanagawa. This was his first own project after three years’ work as an assistant to Eikoh HOSOE