Düsseldorf School

'Ludwig Wittgenstein. Photography as Analytical Practice' contains his album, photographs of automata, and other self-portraits. In addition, the book places his photographs in a dialogue with the photographic practice and theory of contemporary artists.

The out-of-print volume accompanying the 2013 exhibition at Museum Kunstpalast offers an overview of 70 works by Candida HÖFER, created exclusively in Düsseldorf over the course of 40 years. It represents the beginning but also shows the work around 2013.

The out-of-print catalog 'Land_Scope' presents a variety of ways in which photo artists such as BIALOBRZESKI, DEVLIN, EGGLESTON, GHIRRI, GÜTSCHOW, HÜTTE, JOHNE, KEETMAN, MOSSE, RIEBESEHL, RUFF, SHORE, SUGIMOTO approach the landscape.

The volume 'Die Konstitution der Dinge' by Eva Witzel is the first comprehensive examination of the phenomenon of abstraction in works by Andreas GURSKY. 'Abstract' stands for a thematic interpretation: a condensation of motifs referring to the universal.

The photo volume 'Fathom' ('Lot' in the German version) by Bernhard FUCHS contains full-paged portraits. Once again we feel the prevailing atmosphere of closeness and distance, which is unique to him, was already visible and tangible in his other series.

Paperback with photo works by Andreas GURSKY, Candida HÖFER, Axel HÜTTE, Thomas RUFF und Thomas STRUTH

The out-of-print photo volume 'Streets and Trails' by Bernhard FUCHS contains seventeen full-page color illustrations. The photographs by formerly Bernd-BECHER-student show quiet, deserted streets and trails in rural surroundings. Limited to 500 copies.

This 'Special Edition Catalogue' is the first collection world-wide to feature each of the 18 series in Thomas RUFF's extensive portfolio. One of the special points about this collection is the use of different paper grades for the five included books.

All of the editions from the last four decades by photographer Candida HÖFER in one volume, 'Editions 1987-2020' form a representative cross-section of her entire visual oeuvre. The introductory essay was written by art historian Anne Ganteführer-Trier.

For his 'Tableaux chinois', Thomas RUFF has digitally processed Chinese propaganda images distributed worldwide by the Communist Party. In this large-format photo volume, the work transports the images of the 20th century into today's visual language.