The school of artistic photography founded by the photographers Bernd and Hilla BECHER in the late 1970s is called the Düsseldorf Photo School, Becher School or Becher Class with its centers the Düsseldorf Art Academy and the BECHER studio.

Out-of-print volume 'Berlin 1978-1987' by Boris BECKER shows early works of the photographer of the Düsseldorf Photo School, taken on 35mm and medium format. In the course of history and the change of our perception, these have gained in importance.
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This catalog volume contains a summary of Thomas RUFF's exhibitions to date - from his earliest beginnings to his most recent works - and thus provides a complete overview of the entire oeuvre of one of the famous artists of the Düsseldorf Photo School.
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Actual print run, HC, 25 x 29 x 3,5 cm., 336 pp., text language: English
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Photo-text volume 'The Düsseldorf School of Photography' traces its ascendancy from the mid-1970s. Filled with superb reproductions of the artists' best-known pictures, this compendium offers the first encyclopaedic overview of this important movement.
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The out-of-print catalog 'Land_Scope' presents a variety of ways in which photo artists such as BIALOBRZESKI, DEVLIN, EGGLESTON, GHIRRI, GÜTSCHOW, HÜTTE, JOHNE, KEETMAN, MOSSE, RIEBESEHL, RUFF, SHORE, SUGIMOTO approach the landscape.
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The photo volume 'Fathom' ('Lot' in the German version) by Bernhard FUCHS contains full-paged portraits. Once again we feel the prevailing atmosphere of closeness and distance, which is unique to him, was already visible and tangible in his other series.
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Paperback with photo works by Andreas GURSKY, Candida HÖFER, Axel HÜTTE, Thomas RUFF und Thomas STRUTH
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HC, 30 x 29 cm., 264 pp., 228 ills., english (+ german text as inlet)
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Out-of-print book 'Autos' by Bernhard FUCHS gives the photographs the apparent character of general pictorial plates, but on closer inspection they reveal themselves to be sensitive recordings of everyday situations and individual portraits of vehicles.
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'Silent Spaces' is accompanied a film by Rui Xavier which shows Candida HÖFER taking photographs, working and preparing exhibitions in locations. A dense, empathetic portrait of the artist which, relying on its own visual language, manages without words.
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