The Düsseldorf School

Out-of-print volume 'As Dark As Light' contains a set of 16 nocturnal photographs made by Axel HÜTTE in various cities around the world. Aside from the underlying theme of night photography, the works are united by the strict geometry of the compositions.

Out-of-print volume 'Berlin 1978-1987' by Boris BECKER shows early works of the photographer of the Düsseldorf Photo School, taken on 35mm and medium format. In the course of history and the change of our perception, these have gained in importance.

This long out-of-print monograph by Andreas GURSKY includes the artist's best-known works as well as new works unpublished until 2018. Essays provide new insights into key images - an indispensable survey of one of the world's most influential artists.

German photographer In the photo book '4100 Duisburg' you can see how the photographer Laurenz BERGEual language of silence and light that captures the visible present of places over which history seems to have passed as well as the echoes of former life.

Gebundene Ausgabe ohne Schutzumschlag (wie erschienen), 25,5 x 25 x 2 cm., 100 S., 48 Farbaufn., deutsch-sprachiger Text - GERMAN TEXT FOR THIS ED. ONLY! - English ed. also to pre-order as long as availbale!

This catalog volume contains a summary of Thomas RUFF's exhibitions to date - from his earliest beginnings to his most recent works - and thus provides a complete overview of the entire oeuvre of one of the famous artists of the Düsseldorf Photo School.

Actual print run, HC, 25 x 29 x 3,5 cm., 336 pp., text language: English

Gebundene Ausgabe ohne Schutzumschlag (wie erschienen), 24 x 30 x 2 cm., 116 S., 60 Farbaufn., deutsch-sprachiger Text - GERMAN TEXT FOR THIS ED. ONLY! - English ed. also to pre-order as long as availbale!

Photo-text volume 'The Düsseldorf School of Photography' traces its ascendancy from the mid-1970s. Filled with superb reproductions of the artists' best-known pictures, this compendium offers the first encyclopaedic overview of this important movement.

The focus of the catalog illuminating the early phase of the BECHER school is on the mutual influences between the image concepts emerging in Düsseldorf and the innovations of the 'New-Color Photography' and the 'New Topographics' movement in the U.S..