U.S.-American Cities

'War & Peace in New York. Photographs 1966-1970' by Tod PAPAGEORGE, comprises two photo volumes that provide a comprehensive portrait of a troubled city in a dark, febrile time. This is a city built sweetly, if seriously, at heart, to belong and to like.

'The Making of an Argument' contains the 1st project by Gordon PARKS for the 'Life' magazine. Featuring contact sheets, proof prints and the published article, it traces the editorial process and parses out the motives behind the production of the essay.

Out-of-print photo book 'Drugstore Camera' by Dennis HOPPER includes portraits of his friends & family, road trips through Kansas state, and improvised still lifes - shot in New Mexico, where he lived in the late 1960s after the production of 'Easy Rider'

Out-of-print monograph on William Eugene SMITH shows images from six series: 'Country Doctor', 'Spanish Village', 'Nurse Midwife', 'A Man of Mercy', 'Minamata', as well as 'Pittsburgh'. It contains texts by himself about his working methods and principles

ORIGINALLY SEALED! German-languaged 'Retrospective'-catalog contains important text contributions to the understanding of the work of prominent photographer Stephen SHORE, an extensive interview with David Campany, a complete bibliography and a chronology

Out-of-print book 'The Camera as Conscience' is based on the archive of William Eugene SMITH and contains famous as well as previously unpublished images from the 1930s to the 1970s, mostly essays for 'Life', such as 'Country Doctor' and 'Spanish Village'

Out-of-print 'A Vision Shared' features the work of the 11 photographers who worked for the Farm Security Administration (FSA). 1st published in 1976 it was named one of the 100 most important books of the decade by the Association of American Publishers.

Out-of-print photographic volume 'Remaining Light' by Jordan SULLIVAN combines photographs taken on Skid Row and in an office building in downtown Los Angeles with text excerpted from Eugene Ionesco's novel 'The Hermit'. Laser-printed on uncoated paper.

The volume 'Dream Street. W. Eugen Smith's Pittburgh Project' is not only a portrait of that city, but also of the USA in the 1950s. In the included essay, Alan Trachtenberg provides a critical reading of the images and evaluates this photographic project

'Albums' by Jamel SHABAZZ presents for the first time his work from the 70s to 90s as it exists in his archive: small prints, thematically grouped & classified as traditional family photo albums. Some essays classify his work in the history of photography