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Background information
"Inspired by Valerie Solanas’ iconoclastic feminist tract SCUM (Society for Cutting Up Men) Manifesto, 'SCUMB Manifesto' by Justine KURLAND introduces us to photographer’s own uncompromising initiative: the 'Society for Cutting Up Men’s Books'.
Content
This volume presents a collection of collages Justine KURLAND created by cutting up and reconfiguring photobooks by male artists, as she went through the process of purging her own library of roughly 150 books by straight white men that have monopolized the photographic canon. The nature of collage — heterogeneous, pulled apart, shape shifting, disrupted, cyborg, fantasy — has long made it a feminist strategy in life and in art. Her ritual is restorative and loving: each work is a reclamation of history; a dismemberment of the patriarchy; a gender inversion of the usual terms of possession; and a modest attempt at offsetting a life of income disparity. While markedly different in style, the defiant female visions pictured in these compositions are a continuation of those depicted in earlier photographic projects by Justine KURLAND, 'Girl Pictures' (1997–2002) and 'Mama Babies' (2004–07). Each work in 'SCUMB' sounds an electrifying call for freedom — the freedom to create, to destroy, to imagine, and to reshape our visual and social world.
Additional information, about the signed edition
'SCUMB' by Justine KURLAND is made as a Swiss bound paperback with sillkscreen printed gauze on spine (18 gatefolds, with 2 paper stocks, 48 x 60cm poster inserted into back cover). Book size is 24,5 x 32 cm. on 282 pages with 116 plates in total. The book includes also a large-format pull-out poster in the back of the book as welll as essays by Marina Chao, Renee Gladman, Catherine Lord, and Ariana Reines.
The signed edition includes a slip signed by the artist and bound into the inside back cover.
In the Press
- "A quantum leap in practice by Justine KURLAND… It might just be as sharp and clear-sighted a skewering of the male canon ... as you’ll ever witness." (© AnOther)
"Skillful, versatile, and refreshingly analog … The past can’t just vanish with a finger snap, but rather must be dealt with in a complex case-by-case way – preferably a gleeful one, and maybe involving a razor." (© Artforum)
"In wild and allusive accretions, these fragments of past artistic mastery become, when arrayed on the flayed boards of their previous containers, something like an archeological dig … an animated, anarchic ... new world is brutally begotten." (© Brooklyn Rail)