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'Anchor in the Landscape' by Adam BROOMBERG & Rafael GONZALEZ portraits olive trees in the territories of Palestine occupied by Israeli settlers. Each bears witness to the presence & resilience of the Palestinian people and their relationship to the land.

'Ohne Vorstellung. Circusfotografien von 1950 bis 1970' by Heinz NEUMÄRKER documents the so-called 'backstage area'. His photographic position lies between the affectionate approach of a CHARGESHEIMER and the precise recordings of a Henri CARTIER-BRESSON.

'A Play of Light and Shadow' offers a view of the work by Ara GÜLER providing the opportunity to explore iconic and unknown parts of it. He created reportage photography, portraits and his versatility can also be seen in experimental collages in color.

This photo volume is dedicated to Christer STRÖMHOLM (1918-2002), one of the major figures of 20th century European photography. With an unmistakable sensitivity to human suffering, based on his personal experience, he took photography in a new direction

With 'Silent River', Eugenia MAXIMOVA addresses the silence surrounding the journalist Victoria Marinova, who was brutally murdered in 2018. Her violent death throws a harsh spotlight on widespread corruption and unsafe working conditions for journalists.

'Malanka' by Yelena YEMCHUK deals with a folklore ritual celebrated by ethnic Romanians in western Ukraine. She visited the village of Krasnoilsk to photograph the local Malanka. The photo series is personal, feminine, surreal and surrounded by magic.

The volume 'World Is Where You Stop' by Tomasz TOMASZEWSKI looks critically at our reality, where good & evil, euphoria & suffering, wealth & poverty, virtue & licentiousness, coexist side by side - situations that are difficult to pass by indifferently.

'Archive' by Sofia COPPOLA is an art book that enables an intimate encounter with methods & references and provides an insight into working processes. It contains personal archive material and an interview with the renowned film journalist Lynn Hirschberg

'The Children of Bergen-Belsen' Maria KLENNER deals with the fates of children who were born in Bergen-Belsen shortly after the end of the World War. The study sheds light on questions of history & migration, identity & belonging, trauma & new beginnings.

The volume 'Die 4 Jahreszeiten' (The 4 Seasons) by Swiss photographerJakob TUGGENER is a completely new version of the unique books he created in the 1940s on the themes of spring, summer, fall and winter. It is a reflection on human life and transience.

The new edition, its 'director's cut', of the out-of-print photo book 'Ray's a Laugh' by Richard BILLINGHAM recreates the original vision of his deeply personal work with numerous previously unpublished images and a particular approach to sequencing.

'Eternal U' by Hubert HUMKA - 3rd part of his book trilogy, together with 'Eden (2014) and 'Death Landscapes' (2018) - is about death and eternity. It's main axis are forest photographs (life), negatives (death) and embossed texts (traces we leave behind)

In 'Italia in Miniatura', images by Luigi GHIRRI show scale models of Italy's most important natural & architectural landmarks, placed in surreal proximity to one another in a theme park. The photos themselves reflect the processes of their representation

The announced photographic volume 'Leipzig 1972' by Ute ESKILDSEN and Timm RAUTERT is the result of a series taken during a week in autumn 1972. It shows a very subjective, silent picture of Leipzig. A special, historical document of analog photography.

Interested in the degradation of the world, Matthieu GAFSOU shows in his photo volume 'Vivants', a composite narrative that combines landscapes, sometimes tinted with a strange color, reportage portraits in black-and-white, or even reworked urban views.

Colorful studies of form & light in the book 'Plein Soleil' by Jessica BACKHAUS are the logical continuation of her 'Cut Outs', in exploring the photographic possibilities of abstraction and crossing the boundary between documentary & poetic photography.

For the volume 'Fashion Photography for America 1999-2016', German photographer Juergen TELLER photographed original W magazines and Barneys catalogs from his archives, a low-fi approach that emphasizes the physical process of reviewing his past work.

The catalog 'I need to live' captures the depth of Juergen TELLER's photographic achievement, the unconventional fusion of personal experience and his commercial work, realized in portraits, landscapes, nudes, still lifes and ever-changing self-portraits.

'Vier Frauen. Vier Lebensläufe: Fotografieren in der DDR' focuses on female photographers from Saxony - Christine STEPHAN-BROSCH, Evelyn KRULL, Gerdi SIPPEL and May VOIGT - who are representative of a large number, some of whom have almost been forgotten.

In 'The Screw', Akihito YOSHIDA shows people who make the 'screws' of ships in small workshop in Bangladesh. They work together to create a cold, hard metal by pouring molten red liquid, like magma, into the pitch-black ground, covered with iron sand.

Published in accordion format, 'This Train' by Justine KURLAND presents two interwoven narratives from the road trips across the USA she took between 2005 and 2010. A limited edition of 1,000 signed copies including a signed & numbered handmade print.

The volume 'Roadside Meditations' by Rob HAMMER contains color images taken while driving through the USA. He does not depict people at all - it is the structures and lines of road architecture, landscapes, road signs and lane markings that fascinate him.

'The Need to Know' by Michael S. HONEGGER is an investigation into his father's double life during the Cold War, the impact on his family, strange encounters, odd radio transmissions and inexplicable coincidences that became the normality of his childhood

The images in self-published book 'False Friends' by Dominic TURNER play with the idea of information gaps & misunderstandings. They explore shadows & veils of a familiar but not quite recognizable world and challenge us to rethink our own interpretation.

The photo book 'La peau du prénom' (The skin of the first name) by Lyoz BANDIE is the story of the obsessive hunt for a new first name. An intimate and sensitive story, a coming out, a dive between genders that invites to question this social construction

The volume 'Cyanotpes' presents for the first time in their entirety the album 'British Algae' by Anna ATKINS and 'Cyanotypes of British and Foreign Ferns', showing her pioneering technique of photographically documenting botanical species around 1850.

For the US-american photographer Shellburne THURBER, an animated place is an extension of the body and a projection space. Her photo volume 'Analysis' shows a selection of color photographs of psychoanalytic practices in Buenos Aires and in New England.

The powerful and expressive gestures on the surface of the image in the photographic volume 'Surface Tension' by US photographer Tabitha SOREN depict a dystopian outside world intermingled with the fingerprints and greasy imprints of our embodied selves.

For his photo volume 'City Diariy #5', Anders PETERSEN has photographed life beyond the fringes of polite society. His subjects, a world of prostitutes, transvestites, alcoholics are a testament to his passion for identifying and engaging with subcultures

The photographic volume 'The Nuclear Sublime' by Michael COLLINS is about an operating British nuclear reactor. The color images inside document the contrast between the scientific efforts and the reality of the sometimes dusty, worn & outdated equipment.

In his volume 'Engadin', Gerhard RICHTER explores his deep relationship with the Swiss Alpine region, which he first visited in the late 1980s. The volume contains 80 illustrations: Paintings, overpainted photographs, plus previously unpublished documents

'What’s Ours' by Myriam BOULOS is a diaristic portrayal of a city & society in revolution, casting an unflinching eye on the revolution with protests against government corruption & austerity - culminating with the aftermath of the Beirut port explosion.

The award-winning photographic volume 'Wegwerfartikel' (disposable items) by Swiss pjhotographer Sara AFFOLTER tells life and suffering stories of domestic and farm animals. They all represent the disregard for animals in industrialized Western society.

The photo volume 'Asleep in Dirt' by Yair OELBAUM contains photographs taken with a Macro 5 Polaroid camera. By experimenting with the camera, which was originally intended for dental and crime scene photography, he created abstract, emotional images.

The illustrated book 'A Lack of Clarity' by Danish filmmaker Stefan KRUSE transfers his documentary film onto paper. The film stills offer an alternative view of evolving digital technologies and what is visible (and controllable) in the contemporary city

The German-language photographic volume 'Bibliotheken' (Libraries) by Candida HÖFER contains photographs of famous library rooms in Europe and the USA. The color photographs are accompanied by an essay by the Italian writer and philosopher Umberto Eco.

The photographic volume 'Palermo Panorama' by Mauro D'AGATI consists of thirteen chapters, organically evolving into a complex image of the city. Always full of empathy, he portrays the resilient characters and the decaying beauty of his hometown Palermo.