New entries

The announced photographic volume 'Leipzig 1972' by Ute ESKILDSEN and Timm RAUTERT is the result of a series taken during a week in autumn 1972. It shows a very subjective, silent picture of Leipzig. A special, historical document of analog photography.

The volume 'World Is Where You Stop' by Tomasz TOMASZEWSKI looks critically at our reality, where good & evil, euphoria & suffering, wealth & poverty, virtue & licentiousness, coexist side by side - situations that are difficult to pass by indifferently.

Published in accordion format, 'This Train' by Justine KURLAND presents two interwoven narratives from the road trips across the USA she took between 2005 and 2010. A limited edition of 1,000 signed copies including a signed & numbered handmade print.

The volume 'Cyanotpes' presents for the first time in their entirety the album 'British Algae' by Anna ATKINS and 'Cyanotypes of British and Foreign Ferns', showing her pioneering technique of photographically documenting botanical species around 1850.

'Archive' by Sofia COPPOLA is an art book that enables an intimate encounter with methods & references and provides an insight into working processes. It contains personal archive material and an interview with the renowned film journalist Lynn Hirschberg

The new edition, its 'director's cut', of the out-of-print photo book 'Ray's a Laugh' by Richard BILLINGHAM recreates the original vision of his deeply personal work with numerous previously unpublished images and a particular approach to sequencing.

'Ohne Vorstellung. Circusfotografien von 1950 bis 1970' by Heinz NEUMÄRKER documents the so-called 'backstage area'. His photographic position lies between the affectionate approach of a CHARGESHEIMER and the precise recordings of a Henri CARTIER-BRESSON.

'Eternal U' by Hubert HUMKA - 3rd part of his book trilogy, together with 'Eden (2014) and 'Death Landscapes' (2018) - is about death and eternity. It's main axis are forest photographs (life), negatives (death) and embossed texts (traces we leave behind)

In 'The Screw', Akihito YOSHIDA shows people who make the 'screws' of ships in small workshop in Bangladesh. They work together to create a cold, hard metal by pouring molten red liquid, like magma, into the pitch-black ground, covered with iron sand.