Marten (Mårten) LANGE


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""A physical delineation of nature terminates at the point where the sphere of intellect begins, and a new world of mind is opened to our view. It marks the limit, but does not pass it." (Alexander VON HUMBOLDT, 1845)

The aesthetics of science, nature and the materiality of things are recurring themes in Mårten LANGE’s work and in 'Another Language', his first major publication. LANGE delves even deeper with this fascination for the natural world.

Combining images of flora, fauna and natural phenomena in an intimate and beautifully crafted book, LANGE teases out a subtle narrative - a meteor crashes, a landmass is visible and a distant planet occupies the final page - but the book is more akin to the workings of a scientist collecting specimens.

Together the photographs create a cryptic and heterogeneous index of nature, with recurring shapes, patterns and texture, where the clarity and simplicity of the individual photographs contrasts with the enigmatic whole.
Shot in his signature black and white style, his subjects are isolated from their environments, taking on sculptural qualities.

Ranging from the sublime (lightning, mountains, a star) to the commonplace (ducks, rocks, a fish), these phenomena all attain equal importance through the democracy of LANGE’s photographic treatment." (publisher's note)

About the photographer Marten LANGE (*1984 in Gothenburg, Sweden):
Mårten Lange studied photography at the University of Gothenburg in Sweden and the University for the Creative Arts in Farnham, United Kingdom.
His books include:
'Citizen' (Études Books, 2015) and
'The Mechanism' (MACK, 2017), as well as a number of self-published books including
'Chicxulub' (2016) and
'Machina' (2014; 2007), among others.