Masakazu SUGIURA, Akihiko TSUKAMOTO (bbok Design)


Linen bound HC (no dust jacket, as issued),
25,5 x 24,5 x 1,5 cm., 72 pp., 55 b/w ills.,.
Sokuy-sha 2015.
ISBN n.a.

nicht verfügbar


"'Oukakou' beautifully captures the sakura season in Kyoto. Here images of the sakura trees are captured for the viewer in monochrome, portraying both the sublime nature of the blossoms in and amongst its wild and nurtured beauty." (publisher's note)

"The Sakura cherry blossoms in Kyoto bloom all at once, during the 'Seven Days of Cherry Blossoms' between the end of March and early April. As this name implies, the confetti of petals scatter after a mere seven days or so. This fleeting beauty of the falling petals becomes a metaphor for both Life and Death in the Japanese mind, and these concepts are not mutually antagonistic. These photographs were mainly taken when the people were sparse, between sunrise and early morning as well as on rainy days." (M.S.)

"Six years after 'Remontage' (2009), Masakazu Sugiura returns with an equally stark and gritty work, this time looking at the all-too-brief blooming and withering of cherry blossoms in his home town of Kyoto." (Japan exposures)

Ein Schwarz-Weiß-Band über farbenprächtige Kirschblütenzeit, die in Japan zwischen Ende März bis Anfang April zu bestaunen ist. Dem 1960 geborenen Fotografen gelingt dennoch das Kunststück, die Pracht in 55 Aufnahmen abzulichten. Der Band erinnert mich sehr stark an Lee Friedlanders ebenfalls in Schwarz-Weiß aufgenommene 'Apples and Olives' oder Graciale Iturbides Kakteen, deren Aufnahmengenauso wenig unter dem Farbmangel gelitten haben, ganz im Gegenteil!